| Box 1 | Folder 1 | Résumé (1990?) |
II. Writings.
A. Articles and lectures (some with commentary from others).
| Box 1 | Folder 2 | Aspects of diatonic sets
Journal of Music Theory 23:1, 1979 |
| Box 1 | Folder 3 | Chord personality profiles: the exclusion relation
Lecture, March 17, 1981, with notes, illustrations, and notes |
| Box 1 | Folder 4 | Diatonic interval sets
Commentary from Jay Rahn |
| Box 1 | Folder 5 | Diatonic interval sets and transformational structures
Reprint from Perspectives of New Music Fall-Winter 1979 |
| Box 1 | Folder 6 | Diatonic trichords in two pieces from Kurtág's Kafka-Fragmente:
a neo-Riemannian approach
Offprint from Studia Musicologica Academiae Scientarium Hungaricae 43:3-4, 2002 |
| Box 1 | Folder 7 | An example of diatonic hierarchy in Beethoven's Symphony no. 5 in C minor,
second movement
Lecture, April 30, 1981, University at Buffalo |
| Box 1 | Folder 8 | Game of triad
originally housed in Folder 15 with Some unstudied diatonic structures in classical music |
| Box 1 | Folder 9 | Interval circles
Lecture, May 2, 1990, University at Buffalo |
| Box 1 | Folder 10 | Motivic shape in the late string quartets of Beethoven
Typescript with annotations, Jan. 1982 |
| Box 1 | Folder 11 | Music and mathematics
Lecture, March 11, 1980, University of Michigan |
| Box 1 | Folder 12 | Music and mathematics: some recent connections
Lecture, Feb. 24, 1994, Mt. Holyoke College |
| Box 1 | Folder 13 | A new theorem of the diatonic set
Lecture, with illustrations and annotations, April 25, 1984, University at Buffalo |
| Box 1 | Folder 14 | Scale theory, finger exercises, and ear training
Lecture, October 31, 1987, Music Teachers' National Association Meeting, Buffalo |
| Box 1 | Folder 15 | Some unstudied diatonic structures in classical music
Examples only |
| Box 1 | Folder 16 | Trichords and transformations in two pieces from György Kurtág's Kafka-Fragments
Version of paper presented at Buffalo Symposium on Neo-Riemannian Theory, July 20-21, 2001, with notes, examples, and correspondence. |
| Box 1 | Folder 17 | Co-author(s): Douthett, Jack
Hyperscales and the generalized tetrachord Article not included. Two reader's reports and notes. Article published in Journal of Music Theory 41:1, Spring 1997. |
| Box 1 | Folder 18 | Co-author(s): Douthett, Jack
Maximally even sets With version presented in October 1989, with examples and notes. |
| Box 1 | Folder 19 | Co-author(s): Douthett, Jack ; Krantz, Richard
Maximally even sets: a discovery in mathematical music theory is found to apply in physics Different versions of the text, with older title, Music, mathematics, and magnetic ordering With correspondence and notes for revisions, 1996-2000. |
| Box 1 | Folder 20 | Co-author(s): Ehrenkreutz, Stefan
Diatonic hierarchies in tonal music Partial draft, with examples for October 29, 1981 presentation, notes, and correspondence |
| Box 2 | Folder 21 | Co-author(s): Myerson, Gerald
Variety and multiplicity in diatonic systems With preliminary form under Clough's name alone, Chord structure and multiplicity in embedded diatonic systems. Also submitted as Musical scales and the generalized circle of fifths to American Mathematical Monthly, a version for scientists. |
C. Analyses: pre-20th century.
| Box 2 | Folder 22 | 18th century counterpoint (chiefly Johann Sebastian Bach) |
| Box 2 | Folder 23 | Beethoven, Ludwig van |
| Box 2 | Folder 24 | Brahms, Johannes |
| Box 2 | Folder 25 | Chopin, Frédéric |
| Box 2 | Folder 26 | Haydn, Joseph |
| Box 2 | Folder 27 | Mozart, Wolfgang Amadeus |
| Box 2 | Folder 28 | Schubert, Franz |
| Box 2 | Folder 29 | Schumann, Robert |
| Box 2 | Folder 30 | Wagner, Richard |
| Box 2 | Folder 31 | Pre-20th century miscellaneous
|
| Box 3 | Folder 32 | Babbitt, Milton |
| Box 3 | Folder 33 | Barber, Samuel |
| Box 3 | Folder 34 | Bartók, Béla |
| Box 3 | Folder 35 | Berg, Alban |
| Box 3 | Folder 36 | Capers, Valerie |
| Box 3 | Folder 37 | Coltrane, John |
| Box 3 | Folder 38 | Dallapiccola, Luigi |
| Box 3 | Folder 39 | Debussy, Claude |
| Box 3 | Folder 40 | Hindemith, Paul |
| Box 3 | Folder 41 | Messiaen, Olivier |
| Box 3 | Folder 42 | Reich, Steve |
| Box 3 | Folder 43 | Schoenberg, Arnold - General |
| Box 3 | Folder 44 | Schoenberg, Arnold - Op. 33a, 33b |
| Box 3 | Folder 45 | Schoenberg, Arnold - Moses und Aron |
| Box 3 | Folder 46 | Scriabin, Aleksandr Nikolayevich |
| Box 4 | Folder 47 | Stravinsky, Igor |
| Box 4 | Folder 48 | Webern, Anton von - Op. 22 |
| Box 4 | Folder 49 | Webern, Anton von - Op. 24 |
| Box 4 | Folder 50 | Webern, Anton von - Op. 29 |
| Box 4 | Folder 51 | Webern, Anton von - Collected |
| Box 4 | Folder 52 | 20th century - Miscellaneous |
| Box 5 | Folder 53 | Change ringing
Articles by Arthur White |
| Box 5 | Folder 54 | Concentric circle problem
6 leaves, no date |
| Box 5 | Folder 55 | Diatonic interval cycles and hierarchical structure
Reviews of Clough's article, notes, and correspondence with Jay Rahn, David Lewin, Gerald Myerson, 1989-1990 |
| Box 5 | Folder 56 | Indian scales
Notes and correspondence with Jack Douthett, Lewis Rowell |
| Box 5 | Folder 57 | Indian scales, part 2
Articles by Lewis Rowell: How universal is the idea of mode? Evidence from Asia ; Scale and mode in ancient Tamil music literature; The origin of the Indian 22-tone system by Mieczyslaw Kolinski (1961); Pitch-class techniques, the pure fifth, and the East Indian grama family by Jack Douthett (Aug. 1982) With notes by John Clough, correspondence with Jack Douthett, Lewis Rowell, and Jay Rahn |
| Box 5 | Folder 58 | Kurtág research
Notes, clippings, articles, and correspondence |
| Box 5 | Folder 59 | Long-range plans, etc. |
| Box 5 | Folder 60 | Microtonality
Collection of articles and papers by Chris Mohr, John Chalmers, Richard Sanford, and Jim Horton |
| Box 5 | Folder 61 | Music and mathematics, etc.
Correspondence with David Clampitt and Jack Douthett, 1988-1991 |
| Box 5 | Folder 62 | Number theory at University of Michigan
March 1979 issue of Research News: Pure mathematics: problems and prospects in number theory |
| Box 5 | Folder 63 | Positional evenness |
| Box 5 | Folder 64 | Projects in diatonic theory and evenness |
| Box 5 | Folder 65 | Research notes 1 |
| Box 5 | Folder 66 | Research notes 2
|
| Box 6 | Folder 67 | Research notes - Summer 1959 |
| Box 6 | Folder 68 | Scales, sets, and interval cycles: a taxonomy
Residual notes for article printed in Music Theory Spectrum 21:1, Spring 1999 |
| Box 6 | Folder 69 | Science and art
Clippings |
| Box 6 | Folder 70 | Set theory - miscellaneous |
| Box 6 | Folder 71 | Wong proof (x set) ; Clough proof (hex theorem) |
IV. Papers and articles by others, many with correspondence.
| Box 6 | Folder 72 | Agmon, Etyan
Correspondence, 14 items, 1988-1995 |
| Box 6 | Folder 73 | Agmon, Etyan
Categories and prototypes in music: diatonic intonation and functional harmony Handout for Society for Music Theory 15th Annual Meeting |
| Box 6 | Folder 74 | Agmon, Etyan
A mathematical model of the diatonic system Journal of Music Theory 33:1, 1989 Incomplete photocopy of typescript, two printed copies, and comments |
| Box 6 | Folder 75 | Agmon, Etyan
Music theory as a cognitive science: some conceptual and methodological issues Music Perception 7:3, Spring 1990 |
| Box 6 | Folder 76 | Agmon, Etyan
Towards a diatonic theory of intonation Two versions: Photocopy of typescript, presented at meeting of the European Society for the Cognitive Science of Music, Oct. 1991; Reprint from Interface 22, 1993 |
| Box 6 | Folder 77 | Agmon, Etyan
When formal truths are intuitively problematic: inversional equivalence, distance, and the normed space |
| Box 6 | Folder 78 | Agmon, Etyan; Ramat-Gan
Linear transformations between cyclically generated chords Musikometria 3, 1991 |
| Box 6 | Folder 79 | Ahn, So-Yung
Dissertation materials |
| Box 6 | Folder 80 | Alegant, Brian
Correspondence and notes, 1995 |
| Box 6 | Folder 81 | Alegant, Brian
Generalizing twelve-tone combinatoriality |
| Box 6 | Folder 82 | Alegant, Brian
Programs for the enumeration and analysis of twelve-tone mosaics |
| Box 6 | Folder 83 | Alegant, Brian
Six of one half a dozen of the other: partitions and Milton Babbitt's Sextets |
| Box 6 | Folder 84 | Alegant, Brian
When even becomes odd: a partitional approach to inversion Paper for Society for Music Theory Meeting, 1996 |
| Box 6 | Folder 85 | Alegant, Brian ; McLean, Don
On the nature of enlargement Paper for Society for Music Theory Meeting, Nov. 4, 1995 |
| Box 6 | Folder 86 | Alpern, Wayne
Minimum aggregate partitions: mapping timepoints in Babbitt's third and fourth string quartets Paper for Society for Music Theory Meeting, Nov. 2, 1996 |
| Box 6 | Folder 87 | Althius, Theo. A.
Mathematical structures in atonal music Master's thesis, Feb. 2000 |
| Box 6 | Folder 88 | Balzano, Gerald J.
The group-theoretic description of 12-fold and microtonal pitch systems Computer Music Journal 4:4, Winter 1980 |
| Box 6 | Folder 89 | Balzano, Gerald J.
The pitch set as a level of description for studying musical pitch perception In Music, Mind, and Brain: the neuropsychology of music, 1982 |
| Box 6 | Folder 90 | Barbaud, Pierre
Vademecum de l'ingénieur en musique, 1993. Chapter 3. Triades at Accords |
| Box 6 | Folder 91 | Bass, Richard
Half-diminished functions and transformations in late-Romantic music Examples, 2000? |
| Box 6 | Folder 92 | Berry, David Carson
The exclusion quotient With correspondence, 1995 |
| Box 6 | Folder 93 | Bier, Carol
Elements of plane symmetry in Oriental carpets Textile Museum Journal, 1992 |
| Box 6 | Folder 94 | Blau, Stephen K.
The hexachordal theorem: a mathematical look at interval relations in twelve-tone composition Mathematics Magazine 72:4, Oct. 1999 |
| Box 6 | Folder 95 | Boge, Claire
Correspondence, 1991 |
| Box 6 | Folder 96 | Boge, Claire
Idea and analysis: aspects of unification in musical explanation 1988 |
| Box 6 | Folder 97 | Boge, Claire
Poetic analysis and the musical experience Paper presented at Music Theory Midwest Meeting, May 17, 1991 |
| Box 7 | Folder 98 | Bombieri, Enrico
Prime territory: exploring the infinite landscape at the base of the number system The Sciences, Sept./Oct. 1992 |
| Box 7 | Folder 99 | Browne, Richmond
Tonal implications of the diatonic set In Theory Only 5:6-7, 1981 |
| Box 7 | Folder 100 | Buchler, Michael
An alternative to the interval-class vector and its use in relating abstract pitch-class sets Paper presented at Society for Music Theory Meeting, Nov. 3, 1995 |
| Box 7 | Folder 101 | Buchler, Michael
A cycle-based system for relating pitch-class sets Paper presented at Society for Music Theory Meeting, 1997 |
| Box 7 | Folder 102 | Buchler, Michael
Scale-step sequences in tonal music Paper presented at Music Theory Midwest Meeting, May 14, 1999 |
| Box 7 | Folder 103 | Cambouropoulos, Emilios
A general pitch interval representation: theory and applications Reprint from Journal of New Music Research 25, 1996 |
| Box 7 | Folder 104 | Cambouropoulos, Emilios
Unscramble: a new unsupervised symbolic machine learning algorithm - excerpt March 1997 |
| Box 7 | Folder 105 | Capuzzo, Guy
CUP spaces in post-tonal music Paper presented at Society for Music Theory Meeting, Nov. 5, 2000 |
| Box 7 | Folder 106 | Capuzzo, Guy
Pitch space ordering types in the recent solo music of Elliott Carter Paper presented at Music Theory Society of New York State Meeting, April 13, 1997 |
| Box 7 | Folder 107 | Carey, Norman
Correspondence, 1 item, 2000 |
| Box 7 | Folder 108 | Carey, Norman
Amarantha Composition with correspondence, 1992 |
| Box 7 | Folder 109 | Carey, Norman
Coherence and failure: a general theory of ambiguity and contradiction Paper presented at Society for Music Theory Meeting, Nov. 5, 2000 |
| Box 7 | Folder 110 | Carey, Norman
Generic ordering in well-formed scales With correspondence, 1995 |
| Box 7 | Folder 111 | Carey, Norman
Illustrations for lecture, University at Buffalo, 10/26/92 |
| Box 7 | Folder 112 | Carey, Norman
The ordering of generic intervals in well-formed scales 1992? |
| Box 7 | Folder 113 | Carey, Norman
Well-formed scales and the invariant generator 1992? |
| Box 7 | Folder 114 | Carey, Norman ; Clampitt, David
Aspects of well-formed scales Music Theory Spectrum 11:2, 1989 |
| Box 7 | Folder 115 | Carey, Norman ; Clampitt, David
Pythagorean scales and the Nicomachus triangle 1987? |
| Box 7 | Folder 116 | Carey, Norman ; Clampitt, David
Regions: a theory of tonal spaces in early Medieval treatises 1991? |
| Box 7 | Folder 117 | Carey, Norman ; Clampitt, David
Structural properties of musical scales 1986 |
| Box 7 | Folder 118 | Carey, Norman ; Clampitt, David
Two theorems concerning rational approximations |
| Box 7 | Folder 119 | Chailley, J.
Essai analytique sur la formation de l'octoechos latin In Essays presented to Egon Wellesz, 1960 |
| Box 7 | Folder 120 | Chalmers, John H.
Correspondence, 1994-1997 |
| Box 7 | Folder 121 | Chalmers, John H.
Construction and harmonization of microtonal scales in non-twelve-tone equal temperaments With copy in Italian, 1992 |
| Box 7 | Folder 122 | Chalmers, John H.
Cyclic scales 1975? |
| Box 7 | Folder 123 | Chalmers, John H.
Music and geometry |
| Box 7 | Folder 124 | Chalmers, John H.
Tritriadic scales with seven tones |
| Box 7 | Folder 125 | Chalmers, John H.
Tritriadic scales with seven tones, Part Two: derived forms and structural properties 1986 |
| Box 7 | Folder 126 | Chalmers, John H.
Tritriadic scales with seven tones, Part Three: The M-T and D-M matrices |
| Box 7 | Folder 127 | Chalmers, John H. ; Wilson, Ervin M.
Combination product sets and other harmonic and melodic structures 1982 |
| Box 7 | Folder 128 | Clampitt, David
Correspondence, 6 items, 1988-1991 |
| Box 7 | Folder 129 | Clampitt, David
Correspondence with Richard Cohn and David Lewin, 3 items, 1994-1996 |
| Box 7 | Folder 130 | Clampitt, David
Alternative interpretations of some measures from Parsifal 1996? |
| Box 7 | Folder 131 | Clampitt, David
Aspects of taxonomic and transformational music theories Examples, March 16, 2000 |
| Box 7 | Folder 132 | Clampitt, David
Brahms paper Fall 1999 |
| Box 7 | Folder 133 | Clampitt, David
Lumpiness is orthogonal to smoothness Examples, March 18, 1992 |
| Box 7 | Folder 134 | Clampitt, David
Maximally even sets summary |
| Box 7 | Folder 135 | Clampitt, David
nlog23 1992 |
| Box 8 | Folder 136 | Clampitt, David
Notes on Pythagorean tuning and well-formed scales Nov. 6, 1992 |
| Box 8 | Folder 137 | Clampitt, David
Ramsey theory, unary transformations, and Webern's op. 5, no. 4 1997? |
| Box 8 | Folder 138 | Clampitt, David
Recent diatonic theory and the Scholia Enchiriadis Oct. 1992 |
| Box 8 | Folder 139 | Clampitt, David
Riemann groups Dec. 1, 1996 |
| Box 8 | Folder 140 | Clampitt, David
Some refinements on the three gap theorem with applications to music Paper presented at International Symposium on Music and Mathematics, May 29-30, 1994 |
| Box 8 | Folder 141 | Clampitt, David
Structural and transformational properties of pairwise well-formed scales Paper presented at Society for Music Theory Meeting, Oct. 31, 1997 |
| Box 8 | Folder 142 | Cohn, Richard
Correspondence, 4 items, 1995, between Clough, Cohn, Jack Douthett, David Clampitt, and David Lewin; with other examples |
| Box 8 | Folder 143 | Cohn, Richard
Brahms's complex hemiolas Oct. 1998 |
| Box 8 | Folder 144 | Cohn, Richard
Maximally smooth cycles, hexatonic systems, and the analysis of late-Romantic triadic progressions Music analysis 15:1, March 1996 |
| Box 8 | Folder 145 | Cohn, Richard
Metric and hypermetric dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550 Intégral 6, 1993 |
| Box 8 | Folder 146 | Cohn, Richard
Music theory's new pedagogability Music Theory Online 4:2, 1998 |
| Box 8 | Folder 147 | Cohn, Richard
Neo-Riemannian operations, parsimonious trichords, and their Tonnetz representations Journal of Music Theory 41:1, 1997 |
| Box 8 | Folder 148 | Cohn, Richard
The over-determined triad: a group-theoretic approach to chromatic harmony - book prospectus 1994, 1998 |
| Box 8 | Folder 149 | Cohn, Richard
P-related sets With correspondence, 1992-1993, including with Paul Ishihara |
| Box 8 | Folder 150 | Cohn, Richard
Properties and generability of transpositionally invariant sets Journal of Music Theory 35, 1991 |
| Box 8 | Folder 151 | Cohn, Richard
Thematicized hemiolas, rhythmic normalization, and the metric consonance/dissonance metaphor Examples for paper presented at Society for Music Theory Meeting, Oct. 18, 1992 |
| Box 8 | Folder 152 | Cohn, Richard
Transpositional combination of beat-class sets in Steve Reich's phase-shifting music (with earlier version) Perpspectives of New Music 30:2, Summer 1992 Earlier working title: Teleology, craft, tradition, and analysis in a minimalist context: transpositional combination of beat-class sets in Steve Reich's phase-shifting music |
| Box 8 | Folder 153 | Corless, Robert M.
Continued fractions and chaos American Mathematical Monthly 99:3, March 1992 |
| Box 8 | Folder 154 | Cuciurean, John
Properties of equal-tempered microtonal scales in Easley Blackwood's 12 Microtonal etudes, op. 28 Dec. 14, 1994 |
| Box 8 | Folder 155 | Dembski, Stephen
Steps and skips from content and order: aspects of a generalized step-class system With correspondence (1 item) to Clough, 1989 |
| Box 8 | Folder 156 | Derrick, William ; Eidswick, Jack
Continued fractions, Chebychev polynomials, and chaos American Mathematical Monthly 102:4, April 1995 |
| Box 8 | Folder 157 | Douthett, Jack
Correspondence and miscellaneous notes, 18 items, 1989-1999 |
| Box 8 | Folder 158 | Douthett, Jack
Correspondence - Knuth problem, 1992 |
| Box 8 | Folder 159 | Douthett, Jack
Correspondence on Pn relations, 1992-1993 |
| Box 9 | Folder 160 | Douthett, Jack
An approach to ETS theory Lecture notes, no date |
| Box 9 | Folder 161 | Douthett, Jack
Boolean rings 1994 |
| Box 9 | Folder 162 | Douthett, Jack
Circular distribution and measurements Nov. 1992 |
| Box 9 | Folder 163 | Douthett, Jack
Combinatorial properties of diatonic scale theory Lecture notes, 1989? |
| Box 9 | Folder 164 | Douthett, Jack
Floor functions and maximally even sets and configurations |
| Box 9 | Folder 165 | Douthett, Jack
Formal mathematical intervallic notation |
| Box 9 | Folder 166 | Douthett, Jack
Inversion graphs 1994 |
| Box 9 | Folder 167 | Douthett, Jack
Iterated symmetry and the dynamics of voice leading |
| Box 9 | Folder 168 | Douthett, Jack
Me and music 1988 |
| Box 9 | Folder 169 | Douthett, Jack
P-relations Addressed to Richard Cohn, 1994? |
| Box 9 | Folder 170 | Douthett, Jack
Pn-relations and scale theory 1993? |
| Box 9 | Folder 171 | Douthett, Jack
A perceptual approach to the metastructure of music |
| Box 9 | Folder 172 | Douthett, Jack
Pitch-class techniques, the pure fifth, and the East Indian grama family 1992 |
| Box 9 | Folder 173 | Douthett, Jack
Set properties of the series type used in Webern's Concerto for Nine Instruments, op. 24 1983 |
| Box 9 | Folder 174 | Douthett, Jack
3-dimensional tiling Oct. 29, 1997 |
| Box 9 | Folder 175 | Douthett, Jack
The twin primes problem and musical scales and chords (MP, CV, and twin primes) 1994? |
| Box 9 | Folder 176 | Douthett, Jack
The 2-dimensional antiferromagnetic Ising model July 1996 |
| Box 9 | Folder 177 | Douthett, Jack
[Wheels and maximally even sets] Pencil ms., June 5, 1991 Typescript, June 26, 1996 |
| Box 9 | Folder 178 | Douthett, Jack ; Block, Steven
Vector products and intervallic weighting |
| Box 9 | Folder 179 | Douthett, Jack ; Entringer, Roger ; Krantz, Richard
Tuning and continued fractions 1999? |
| Box 9 | Folder 180 | Douthett, Jack ; Entringer, Roger; Mullhaupt, Andrew
Musical scale construction: the continued fraction compromise 1992 |
| Box 9 | Folder 181 | Douthett, Jack ; Krantz, Richard
Construction and interpretation of equal-tempered scales using frequency ratios, maximally even sets, and P-cycles Journal of the Acoustical Society of America 107:5, May 2000 |
| Box 9 | Folder 182 | Douthett, Jack ; Krantz, Richard
Energy extremes and spin configurations for the one-dimensional antiferromagnetic Ising model with arbitrary-range interaction Journal of Mathematical Physics 37:7, July 1996 |
| Box 9 | Folder 183 | Douthett, Jack ; Krantz, Richard
A measure of the reasonableness of equal-tempered musical scales 1993 |
| Box 9 | Folder 184 | Douthett, Jack ; Krantz, Richard J. ; Doty, Steven D.
Maximally even sets and the devil's staircase phase diagram for the one-dimensional Ising antiferromagnet with arbitrary-range interaction 1997? |
| Box 9 | Folder 185 | Dubiel, Joseph
Function, explanation, and interpretation |
| Box 9 | Folder 186 | Dugger, Ed
Correspondence, 1 item, July 27, 1990 |
| Box 9 | Folder 187 | Dunne, Edward
Pianos and continued fractions Paper presented at American Mathematical Society Meeting, Jan. 10, 1999 |
| Box 9 | Folder 188 | Engebretsen, Nora
Some comments on the generation of certain scales with multiple constraints Notes from John Clough, David Clampitt, and Engebretsen; article itself not included Dec. 1994 Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy |
| Box 9 | Folder 189 | Erlich, Paul
Tuning, tonality, and twenty-two-tone temperament With correspondence, 15 items, 1997 |
| Box 9 | Folder 190 | Forte, Allen
Pitch-class set genera and the origin of modern harmonic species Journal of Music Theory 32:2, Fall 1988 |
| Box 9 | Folder 191 | Foulkes-Levy, Laurdella
LFB: Diatonic theory notes |
| Box 9 | Folder 192 | Foulkes-Levy, Laurdella
Three categories of chord connection and their interactions with harmonic activity and musical form |
| Box 9 | Folder 193 | Fraenkel, Aviezri S.
The bracket function and complementary sets of integers Canadian Journal of Mathematics, 1969 |
| Box 9 | Folder 194 | Fuller, Sarah
Examples for Fuller: "Defending the Dodecachordon" Written by Clough |
| Box 10 | Folder 195 | Gamer, Carlton
Deep scales and difference sets in equal-tempered systems American Society of University Composers: Proceedings of the annual conference. II (1967) With accompanying notes by Clough |
| Box 10 | Folder 196 | Gamer, Carlton
Et setera: some temperamental speculations Music Theory: special topics, 1981 |
| Box 10 | Folder 197 | Gamer, Carlton
Some combinatorial resources of equal-tempered systems Journal of Music Theory 11:1, Spring 1967 |
| Box 10 | Folder 198 | Gamer, Carlton ; Roeder, David W. ; Watkins, John J.
Trapezoidal numbers Mathematics Magazine 58:2, March 1985 |
| Box 10 | Folder 199 | Gamer, Carlton ; Wilson, Robin J.
Musical block designs Ars combinatorial 16-A, 1983 |
| Box 10 | Folder 200 | Gauldin, Robert
The cycle-7 complex: relations of diatonic set theory to the evolution of ancient tonal systems Music Theory Spectrum 5, Spring 1983 |
| Box 10 | Folder 201 | George, Thomas F.
Clusters and microstructures 1991? |
| Box 10 | Folder 202 | George, Thomas F.
Derivation of the model |
| Box 10 | Folder 203 | George, Thomas F. ; Jelski, Daniel A.
Clusters: link between molecules and solids Journal of Chemical Education 65, Oct. 1988 |
| Box 10 | Folder 204 | George, Thomas F. ; Jelski, Daniel A. ; Wu, Z. C.
Vibrational motions of Buckminsterfullerene Chemical Physics Letters 137:3, June 12, 1987 |
| Box 10 | Folder 205 | George, Thomas F. ; Wang, Youqi ; Lindsay, D. M. ; Beri, A. C.
The Hückel model for small metal clusters. I. Geometry, stability and relationship to graph theory Journal of Chemical Physics 86:6, March 15, 1987 |
| Box 10 | Folder 206 | George, Thomas F. ; Wang, Youqi ; Lindsay, D. M.
The Hückel model for small metal clusters. II. Orbital energies, shell structures, ionization potentials, and extrapolation to the bulk limit Journal of Chemical Physics 86:6, March 15, 1987 |
| Box 10 | Folder 207 | George, Thomas F. ; Wang, Youqi ; Lindsay, D. M.
The Hückel model for small metal clusters. IV. Orbital properties and cohesive energies for model clusters of up to several hundred atoms Journal of Cluster Science 1:1, March 1990 |
| Box 10 | Folder 208 | Gollin, Edward
Crystallographic space lattices … Tonnetz Figures for paper presented at Buffalo Music Theory Symposium, July 18-19, 1997 |
| Box 10 | Folder 209 | Gollin, Edward
An interesting dihedral group, its automorphisms, and transformations in Bartók's "Minor seconds, major sevenths" Paper presented at New England Conference of Music Theorists, April 6, 1997 |
| Box 10 | Folder 210 | Gollin, Edward
Transformational spaces and metaphorical journeys in some Schubert Lieder 1998? |
| Box 10 | Folder 211 | Gordon, Carolyn ; Webb, David
You can't hear the shape of a drum American Scientist 84, Jan.-Feb. 1996 |
| Box 10 | Folder 212 | Graham, R. L.
Covering the positive integer by disjoint sets of the form … Journal of Combinatorial Theory 15, 1973 |
| Box 10 | Folder 213 | Grmela, Sylvia
Dissertation material on Kurtág |
| Box 10 | Folder 214 | Grmela, Sylvia
Messiaen's Pièce pour piano et quatuor à cordes 1991 |
| Box 10 | Folder 215 | Grmela, Sylvia
Paper presented at Society for Music Theory meeting, 1997 |
| Box 10 | Folder 216 | Guy, Richard K.
Unsolved problems in number theory 1981 |
| Box 10 | Folder 217 | Guy, Richard K.
Western number theory problems 1992-12-19 & 22 |
| Box 10 | Folder 218 | Haack, Joel K.
Clapping music - a combinatorial problem College Mathematics Journal 22, 1991 |
| Box 10 | Folder 219 | Hanson, Howard
The projection and interrelation of sonorities in equal temperament from Harmonic Materials of Modern Music, 1960 |
| Box 10 | Folder 220 | Hauptmann, Moritz
The nature of harmony and metre Photocopy of Da Capo Press reprint, 1991 |
| Box 10 | Folder 221 | Heinemann, Stephen
Boulez's elegant operation: pitch-class set multiplication in Le marteau sans maître 1992 |
| Box 10 | Folder 222 | Herron, Amy J.
Exploring melodic patterns in diatonic and chromatic music With correspondence, 2000 |
| Box 10 | Folder 223 | Herstein, I. N.
Topics in algebra, 1964? Photocopy of p. 1-38 |
| Box 10 | Folder 224 | Hook, Julian L.
Correspondence between Hook, Jack Douthett, and John Clough, 5 items, 1999-2001 |
| Box 10 | Folder 225 | Hook, Julian L.
Cross-type transformations, GIS homomorphisms, and generalized transposition and inversion Paper presented at Indiana Graduate Theory Association Symposium, Feb. 25, 2000 |
| Box 10 | Folder 226 | Hook, Julian L.
Equal-tempered approximations to intervals by the method of continued fractions May 1, 1997 |
| Box 10 | Folder 227 | Hook, Julian L.
Uniform triadic transformations ; A Unified theory of triadic transformations Dissertation proposal, with correspondence, 1999-2000 |
| Box 10 | Folder 228 | Hughes, J. Robin
Correspondence, 2 items, 1986 |
| Box 10 | Folder 229 | Hyde, Martha
Dodecaphony: Schoenberg (op. 33b) From Early Twentieth Century Music, 1993 |
| Box 10 | Folder 230 | Hyer, Brian
Reimag(in)ing Riemann Journal of Music Theory 39:1, Spring 1995 |
| Box 11 | Folder 231 | Isaacson, Eric J.
Similarity relations in music analysis Paper presented at Society for Music Theory Meeting, 1992 |
| Box 11 | Folder 232 | Ishihara, Paul ; Knapp, Michael
Basic Z12 analysis of musical chords Tools for Teaching, 1993 |
| Box 11 | Folder 233 | Jefferis, Jim
Analytically rich Klumpenhouwer networks: their properties and conditions Class paper for MUS613, Dec. 16, 1996 |
| Box 11 | Folder 234 | Johnson, Timothy
Correspondence, 1 item, 1997 |
| Box 11 | Folder 235 | Johnson, Timothy
Foundations of diatonic theory: a supplemental text for introductory music theory classes, 2000 With review by Clough |
| Box 11 | Folder 236 | Jones, Mari Reiss
Music as a stimulus for psychological motion: Part I. Some determinants of expectancies Psychomusicology 1:2, 1981 |
| Box 11 | Folder 237 | Jung, Jiyoung
The new approach respect to contour theory in Deut by Milton Babbitt Notes for class presentation, Dec. 10, 1999 |
| Box 11 | Folder 238 | Kárpáti, János
Alternative structures in Bartók's Contrasts Studia Musicologica Academiae Scientiarum Hungaricae 23, 1981 |
| Box 11 | Folder 239 | Kleeman, Emily
Number theoretical relationships between mathematics and music 1993 |
| Box 11 | Folder 240 | Klein, Michael
Correspondence, 2001 |
| Box 11 | Folder 241 | Klein, Michael
Chopin's Etude in C, op. 10/1: text, context, and intertext |
| Box 11 | Folder 242 | Klumpenhouwer, Henry
Essay on Lewin's and Hyer's use of transformations derived from Riemann's work Music Theory Online, 1994 |
| Box 11 | Folder 243 | Kochavi, Jonathan
Musical groups 1994 |
| Box 11 | Folder 244 | Kochavi, Jonathan
Sequences |
| Box 11 | Folder 245 | Kopp, D.
A system of pentatonic organization in a Debussy prelude Paper presented at Society for Music Theory Meeting, Oct. 16, 1992 |
| Box 11 | Folder 246 | Kreyszig, Walter
Correspondence, 8 items, 1996-1998 |
| Box 11 | Folder 247 | Krumhansl, Carol L.
Correspondence, 2 items, 1995, 1997 |
| Box 11 | Folder 248 | Krumhansl, Carol L.
General properties of musical pitch systems: some psychological considerations From Harmony and Tonality, 1987 |
| Box 11 | Folder 249 | Krumhansl, Carol L.
Perceptual analysis: tension and topic in music |
| Box 11 | Folder 250 | Krumhansl, Carol L.
Rhythm and pitch in musical cognition Psychological Bulletin 126:1, 2000 |
| Box 11 | Folder 251 | Krumhansl, Carol L.
Tonal hierarchies in atonal and non-Western tonal music ; Music cognition: theoretical and empirical generalizations Chapters 10 and 11 from the author's Cognitive Foundations of Musical Pitch, 1990 |
| Box 11 | Folder 252 | Krumhansl, Carol L. ; Kessler, Edward J.
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys Psychological Review 89:4, 1982 |
| Box 11 | Folder 253 | Kurth, Richard
A partition-lattice model of prolongation and progression in twelve-tone music 2000 |
| Box 11 | Folder 254 | Kurth, Richard
Schoenberg and combinatoriality: another perspective |
| Box 11 | Folder 255 | Lefkoff, Gerald
The complex functional fields in diatonic-tonal compositions 1992 |
| Box 11 | Folder 256 | Lekkas, Demetrios E.
Correspondence and excerpt from book, 1996 |
| Box 11 | Folder 257 | Lerdahl, Fred
Cognitive constraints on compositional systems From Cognitive Processes in Music, 1988 |
| Box 11 | Folder 258 | Lewin, David
Correspondence with Clough, Richard Cohn, David Clampitt, 1993-1994 |
| Box 11 | Folder 259 | Lewin, David
Formal theory of generalized tonal functions Journal of Music Theory 26:1, Spring 1982 With correspondence |
| Box 11 | Folder 260 | Lewin, David
Interesting cases of the interval function between pitch-class sets X and Y |
| Box 11 | Folder 261 | Lewin, David
Transformational considerations in Schoenberg's Opus 23, number 3 |
| Box 11 | Folder 262 | Lindley, Mark
Mersenne on keyboard tuning Journal of Music Theory 24:2, Fall 1980 |
| Box 11 | Folder 263 | Lindley, Mark
A systematic approach to chromaticism With correspondence, 2 items, 1993 |
| Box 12 | Folder 264 | Makeig, Scott
Affective versus analytic perception of musical intervals From Music, Mind, and Brain, 1982 |
| Box 12 | Folder 265 | Mandell, Arnold J. ; Selz, Karen A. ; Giangrande, Janice
Eigenfunction themes and ergodic variations in jazz and classical music |
| Box 12 | Folder 266 | Mathews, M. V. ; Pierce, J. R. ; Roberts, L. A.
Harmony and new scales From Harmony and tonality: Papers given at a seminar organized by the Music Acoustics Committee of the Royal Swedish Academy of Music, 1987 |
| Box 12 | Folder 267 | Mavromatis, Panayotis ; Williamson, Virginia
Similarity of pitch class sets: a perceptual study Paper presented at Society for Music Theory Meeting, Oct. 30, 1997 |
| Box 12 | Folder 268 | Mazzola, Guerino ; Zahorka, Oliver
Rubato: the open standard workstation for analysis and performance of music 1996? With correspondence regarding Mazzola's planned lecture in Buffalo and a Perspectives of New Music article by John Roeder: "A MaMuTh achievement" about Mazzola's work |
| Box 12 | Folder 269 | McCartin, Brian J.
Prelude to musical geometry College Mathematics Journal 29:5, 1998 |
| Box 12 | Folder 270 | McLaren, Brian
General methods for generating musical scales 1996 |
| Box 12 | Folder 271 | McLaren, Brian
Postings on modern theory and microtonality 1995 |
| Box 12 | Folder 272 | McLaren, Brian ; Darreg, I.
Biases in xenharmonic scales Xenharmonikon 13, Spring 1991 |
| Box 12 | Folder 273 | Mead, Andrew
Webern, tradition, and "composing with twelve tones …" 1990 |
| Box 12 | Folder 274 | Meredith, David
Tonal scales and graph theory, 1992 With correspondence, 3 items, between Clough, Meredith, and Jack Douthett |
| Box 12 | Folder 275 | Morris, Robert D.
Equivalence and similarity in pitch and their interaction in Pcset theory Paper presented at Society for Music Theory Meeting, 1994 |
| Box 12 | Folder 276 | Morris, Robert D.
Sets, scales, and rhythmic cycles: a classification of talas in Indian music Examples for paper presented at Society for Music Theory Meeting, 1998 |
| Box 12 | Folder 277 | Morris, Robert D.
Voice-leading spaces |
| Box 12 | Folder 278 | Morris, Robert D.
Why weight? Pitch-class duplications in twelve-tone polyphony |
| Box 12 | Folder 279 | Myerson, Gerry
Correspondence, 9 items, 1987-1990 |
| Box 12 | Folder 280 | Neal, Jocelyn
Graphic representation of trichord-partition symmetries in selected hexachords Paper presented at Music Theory Society of New York State, 1997 |
| Box 12 | Folder 281 | Nolan, Cathy
Appendix: Interval cycles generalized With correspondence, 2 items, 1996 |
| Box 12 | Folder 282 | O'Connell, Walter
Tone spaces, 1959 With correspondence |
| Box 12 | Folder 283 | Olds, C. D.
Continued fractions Photocopy of 5th printing, 1963 |
| Box 12 | Folder 284 | Olivastro, Dominic
Object lessons: state of grace The Sciences, May/June 1991 |
| Box 12 | Folder 285 | Oña, Erik
Preliminary remarks on voice leading pattern classes, 1997? |
| Box 12 | Folder 286 | Park, Jae-Sung
Correspondence, 1 item, Oct. 17, 1990 |
| Box 12 | Folder 287 | Payne, Maribeth Anderson, on behalf of Schirmer Books
Correspondence, 1989 |
| Box 12 | Folder 288 | Peck, Robert W.
Correspondence, 2001 |
| Box 12 | Folder 289 | Peifer, David
An introduction to combinatorial group theory and the word problem Mathematics Magazine 70:1, Feb. 1997 |
| Box 12 | Folder 290 | Peles
Partial orderings as compositional prototypes |
| Box 12 | Folder 291 | Polansky, Larry
More on morphological mutation functions, recent techniques and developments 1993? |
| Box 12 | Folder 292 | Pressing, Jeff
Cognitive isomorphisms between pitch and rhythm in world musics: West Africa, the Balkans and Western tonality Studies in Musici 17, 1983 |
| Box 12 | Folder 293 | Quinn, Ian
Fuzzy transposition of pitch sets Paper presented at Society for Music Theory Meeting, Nov. 2, 1996 |
| Box 12 | Folder 294 | Quinn, Ian
On relations, similarity, and similarity relations Paper presented at Society for Music Theory Meeting, 1997 |
| Box 12 | Folder 295 | Rahn, Jay
Correspondence, ca. 20 items, 1991-1999 |
| Box 12 | Folder 296 | Rahn, Jay
An advance on A Theory for all music: at-least-as predicates for pitch, time and loudness; figures and appendix 1990 |
| Box 12 | Folder 297 | Rahn, Jay
Asymmetrical ostinatos in sub-Saharan music: time, pitch, and cycles reconsidered In Theory Only 9:7, March 1987 |
| Box 12 | Folder 298 | Rahn, Jay
"Chinese harmony" and contemporary non-tonal music theory Canadian University Music Review 19:2, 1999 |
| Box 12 | Folder 299 | Rahn, Jay
Constructs for modality, ca. 1300-1500 Canadian Association of University Schools of Music Journal 8:2, Autumn 1978 |
| Box 12 | Folder 300 | Rahn, Jay
Counting pairs that match or differ, and the gestalt principle of similarity in music |
| Box 13 | Folder 301 | Rahn, Jay
The isomorphism of pitch and time From A Theory for All Music, 1983 |
| Box 13 | Folder 302 | Rahn, Jay
Perceptual aspects of tuning in a Balinese gamelan angklung for North American students Canadian University Music Review 16:2, 1996 |
| Box 13 | Folder 303 | Rahn, Jay
Recent diatonic theory and Curwen's tonic sol-fa method: formal models for a kinesic-harmonic system Proceedings of the Third Triennial ESCOM conference, June 1997 |
| Box 13 | Folder 304 | Rahn, Jay
Restricted relational richness and musical analysis Journal of Comparative Literature and Aesthetics 8:1-2, 1985 |
| Box 13 | Folder 305 | Rahn, Jay
Structure and frequency in South Indian melas Proceedings of the Saint Thyagaraja music festivals, 1981 |
| Box 13 | Folder 306 | Rahn, Jay
Turning the analysis around: Africa-derived rhythms and Europe-derived music theory Black Music Research Journal 16:1, Spring 1996 |
| Box 13 | Folder 307 | Rahn, Jay ; Xue-Qing, Xu
"Chinese harmony" and contemporary non-tonal music theory, 1996 |
| Box 13 | Folder 308 | Randolph, John
On Lewin's generalized interval systems 1993 |
| Box 13 | Folder 309 | Ravenstein, Tony van
Optimal spacing of points on a circle Fibonacci Quarterly, Feb. 1989 |
| Box 13 | Folder 310 | Reiner, David L.
Enumeration in music theory The American Mathematical Monthly 92:1, Jan. 1985 |
| Box 13 | Folder 311 | Roeder, John
A calculus of accent ca. 1990? |
| Box 13 | Folder 312 | Roeder, John
Issues of representation in the analysis of atonal music Proceedings of the First Workshop on Artificial Intelligence and Music, 1988 |
| Box 13 | Folder 313 | Roeder, John
A Prolog program for music segmentation Musicus 1:2, Dec. 1989 |
| Box 13 | Folder 314 | Roeder, John
Second thoughts: pretension and form in Fauré's Prelude, op. 103, no. 9 |
| Box 13 | Folder 315 | Roeder, John
Semiotic aspects of music analysis |
| Box 13 | Folder 316 | Roeder, John
Voice leading as transformation |
| Box 13 | Folder 317 | Rogers, John
Some properties of non-duplicating rotational arrays 1966? |
| Box 13 | Folder 318 | Rogers, John ; Mitchell, Barry
A problem in mathematics and music American Mathematical Monthly 75, 1968 With notes |
| Box 13 | Folder 319 | Roiter, Robert
Set transformation geometry Nov. 10, 1983 |
| Box 13 | Folder 320 | Rothenberg, David
A model for pattern perception with musical applications Part II: The information content of pitch structures Mathematical Systems Theory 11, 1978 |
| Box 13 | Folder 321 | Rowell, Lewis
Correspondence, 6 items, 1994-1997 |
| Box 13 | Folder 322 | Rowell, Lewis
The pentatonic dialect(s) of India 1996? |
| Box 13 | Folder 324 | Rudin, Cynthia
The complement theorem and its applications Dec. 15, 1998 |
| Box 13 | Folder 324 | Samplaski, Artie
Axiomatic derivations of scales: a comparative review/critique of three approaches 1997 |
| Box 13 | Folder 325 | Santa, Matthew
Hexatonic and nonatonic systems in late nineteenth century music 2001 |
| Box 13 | Folder 326 | Santa, Matthew
Modular sets and modular set types 1999 |
| Box 13 | Folder 327 | Schat, Peter
On harmony and tonality Key Notes 19, 1984 |
| Box 13 | Folder 328 | Schat, Peter
The tone clock: or, the zodiac of the twelve tonalities Key Notes 17, 1983 |
| Box 13 | Folder 329 | Scott, Damon ; Isaacson, Eric J.
The interval angle: a similarity measure for pitch-class sets |
| Box 13 | Folder 330 | Shepard, Roger N. ; Jordan, Daniel S.
Auditory illusions demonstrating that tones are assimilated to an internalized musical scale Science 226, Dec. 1984 |
| Box 13 | Folder 331 | Slawson, Wayne
Subaggregate braids |
| Box 13 | Folder 332 | Sloan, Donald
Fuzzy set theory, fuzzy measures, and their application to resemblance theories in music Handouts for paper presented at Society for Music Theory Meeting, Nov. 3, 1995 |
| Box 13 | Folder 333 | Slottow, Stephen
A Ruggles compositional model and its unfoldings 2000 |
| Box 13 | Folder 334 | Smith, Charles J.
Correspondence, 1 item, 1995 |
| Box 13 | Folder 335 | Smith, Charles J.
Appreciation for John Clough Two versions |
| Box 13 | Folder 336 | Smith, Charles J.
Diatonic sequences Lecture notes |
| Box 13 | Folder 337 | Smith, Charles J.
Tonal models of music. ch. 2.6, 5, 6, 1996 |
| Box 13 | Folder 338 | Smith, J. David
Correspondence, 2 items, 1992 |
| Box 14 | Folder 339 | Snell, James
Mathematics and music Oct. 19, 1990 |
| Box 14 | Folder 340 | Soderberg, Stephen
Correspondence, 5 items, 2001 |
| Box 14 | Folder 341 | Soderberg, Stephen
White note fantasy With review, correspondence, and notes, 1997 |
| Box 14 | Folder 342 | Steinbach, Peter
A case for the heptagon |
| Box 14 | Folder 343 | Steinbach, Peter
Golden fields: a case for the heptagon Mathematics Magazine 70:1, Feb. 1997 |
| Box 14 | Folder 344 | Steinbach, Peter
Sections beyond golden |
| Box 14 | Folder 345 | Stephens, Peter W. ; Goldman, Alan I.
The structure of quasicrystals Scientific American April 1991 |
| Box 14 | Folder 346 | Stoecker, Philip
Axial isography as an extension of Klumpenhouwer networks Examples for paper presented at Music Theory Society of New York State, April 8-9, 2000 |
| Box 14 | Folder 347 | Straus, Joseph N.
A new model for voice leading in atonal music Examples for paper presented at Society for Music Theory Meeting, Nov. 10, 2001 |
| Box 14 | Folder 348 | Straus, Joseph N.
Voice leading in atonal music Paper presented at Florida State University Music Theory Forum, Feb. 27, 1993 |
| Box 14 | Folder 349 | Swinden, Kevin
Aspects of current theoretical thought on interval cycles Paper for class, MUS613, Theory of Scales, Dec. 14, 1994 Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy |
| Box 14 | Folder 350 | Swinden, Kevin
Scriabin's late period: independent study report, Dec. 1994 Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy |
| Box 14 | Folder 351 | Tam, Christine
The musical theory and microtonal compositions of Alois Haba (1893-1973) Thesis proposal, July 2, 2002 |
| Box 14 | Folder 352 | Thomas, Scott
Correspondence, 1 item, 1993 |
| Box 14 | Folder 353 | Thomas, Scott
Millileau rows |
| Box 14 | Folder 354 | Thomas, Scott
Vector products, evenness, and altered sets |
| Box 14 | Folder 355 | Vieru, Anatol
Correspondence, 17 items, 1996-1997 |
| Box 14 | Folder 356 | Vieru, Anatol
The "Other" music With correspondence, 1997 |
| Box 14 | Folder 357 | Vinogradov, I. M.
Elements of number theory Photocopy. Translated from the fifth rev. ed. by Saul Kravetz. 1954 |
| Box 14 | Folder 358 | Watkins, Glenn
Correspondence, 1 item, 1995 |
| Box 14 | Folder 359 | Watkins, Glenn
Stravinsky and a theory of games Examples for paper presented at University at Buffalo, Oct. 16, 1995 |
| Box 14 | Folder 360 | Westergaard, Peter
Constructing a pitch system for tonal music From An introduction to tonal theory, 1975 |
| Box 14 | Folder 361 | Wilson, Ervin M.
Correspondence with John H. Chalmers, 1964-1975 |
| Box 14 | Folder 362 | Wilson, Ervin M.
AILM 29, et al., 1994 |
| Box 14 | Folder 363 | Wilson, Ervin M.
Scale-tree, 1994 With correspondence, 1995 |
| Box 14 | Folder 364 | Wilson, Ervin M.
Some basic patterns underlying genus 12 & 17 1983 |
| Box 14 | Folder 365 | Unidentified
Appendix: Functions on groups |
| Box 14 | Folder 366 | Unidentified
Composite interval cycle sets, their relations, and applications With review by Clough |
| Box 14 | Folder 367 | Unidentified
A measure of eveness and maximally even sets |
| Box 14 | Folder 368 | Unidentified
The mystic chord and its chromatic modifications, (Scriabin) 1993 |
V. Subject and conference files.
| Box 15 | Folder 369 | Berry, Wallace. Proposed publication of his unpublished works
Correspondence, 1992-1993 |
| Box 15 | Folder 370 | Buffalo Music Theory Working Group. Meeting held at University at Buffalo, July 28-29, 1993
Correspondence, bibliography, proposal notes, etc. |
| Box 15 | Folder 371 | Buffalo Music Theory Working Group. Meeting held at University at Buffalo, July 28-29, 1993
John Clough's notes |
| Box 15 | Folder 372 | Buffalo Music Theory Working Group. Meeting held at University at Buffalo, July 18-19, 2001. "2nd Buffalo Music Theory Symposium: Neo-Riemannian Transformations: mathematics and applications"
Correspondence |
| Box 15 | Folder 373 | Evans, Bill
Music for tunes by pianist Bill Evans or played by him |
| Box 15 | Folder 374 | International Symposium on Music and Mathematics (1994 : Bucharest, Rumania)
Program and correspondence |
| Box 15 | Folder 375 | Neo-Riemannian theory issue of Journal of Music Theory 42:2
Correspondence, 1997-1998 |
| Box 15 | Folder 376 | Neo-Riemannian Theory Symposium, University at Buffalo, July 2001
Correspondence, 2000-2001 |
| Box 15 | Folder 377 | Society for Music Theory Meeting, Chapel Hill, North Carolina, Dec. 1998
Papers on Riemann
|
| Box 15 | Folder 378 | Three-gap theory, miscellaneous
|
| Box 16 | Folder 379 | American Society of Learned Societies, 1987 |
| Box 16 | Folder 380 | John Simon Guggenheim Memorial Foundation Fellowship application, 1990 |
| Box 16 | Folder 381 | John Simon Guggenheim Memorial Foundation Fellowship application, 1988 |
| Box 16 | Folder 382 | National Endowment for the Humanities application for Fellowships for University Teachers, 1987?, 1991 |
| Box 16 | Folder 383 | Basic Harmonic Progressions
Comment cards from W.W. Norton |
| Box 16 | Folder 384 | Scales, Intervals, Keys, Triads, Rhythm, and Meter
Reviews, etc. |
| Box 16 | Folder 385 | W.W. Norton
Statements of royalties |
| Box 16 | Folder 386 | W. W. Norton
Correspondence |
| Box 17 | Folder 387 | Benjamin, William E.
Publications record |
| Box 17 | Folder 388 | Browne, Richmond
Mind/Brain "stuff" |
| Box 17 | Folder 389 | Christensen, Thomas
Bibliography on tonal rhythm |
| Box 17 | Folder 390 | Clough, John
A bibliography of writings in English on atonal and serial music and set-theoretic analysis (1979-1985) |
| Box 17 | Folder 391 | The computer and the humanities
Indexes for 1969-1975 |
| Box 17 | Folder 392 | Dissertation Abstracts International.
Music and the performing arts, selected collection of doctoral dissertations and masters theses, 1987-1991 |
| Box 17 | Folder 393 | In Theory Only
Indexes for 1955-1970 |
| Box 17 | Folder 394 | Indiana Theory Review
Indexes for v.1-3 |
| Box 17 | Folder 395 | Intégral
Indexes to 1987-2000 |
| Box 17 | Folder 396 | Journal of Music Theory
Indexes for v. 1-17 |
| Box 17 | Folder 397 | Lewin, David
Bibliography of his works |
| Box 17 | Folder 398 | Nolan, Catherine
Bibliography from master's thesis, Symmetric inversion: a sign of tonality, 1983 |
| Box 17 | Folder 399 | Perspectives of New Music
Indexes to v. 1-15 |
| Box 17 | Folder 400 | Smith, Charles J.
An annotated bibliography of the work of Heinrich Schenker |
| Box 17 | Folder 401 | Smith, Charles J.
Gioseffo Zarlino: a beginner's guide and bibliography |
| Box 17 | Folder 402 | Van den Toorn, Pieter C.
Stravinsky |
| Box 17 | Folder 403 | Forte, Allan
The Structure of Atonal Music, 1973 |
| Box 17 | Folder 404 | Forte, Allan
The Structure of Atonal Music, 1977 printing (paperback) |
| Box 17 | Folder 405 | Stark, Harold M.
An Introduction to Number Theory, 1981 printing (paperback) |
| Box 17 | Folder 406 | Rahn, John
Basic Atonal Theory, 1980 (paperback) |
| Box 17 | Folder 407 | Straus, Joseph N.
Introduction to Post-Tonal Theory, 1990 |
| October 2005 Music Library Staff musique@acsu.buffalo.edu http://ublib.buffalo.edu/libraries/units/music/spcoll/clough/papers/container.html |
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