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Finding Aid for John Clough Papers, ca. 1959-2002

Collection Number: Mus. Arc. 14

Descriptive Summary

Title
John Clough Papers, ca. 1959-2002

Collection Number
Mus. Arc. 14

Creator
John Clough

Extent
17 boxes (407 folders)

Repository
Music Library, University at Buffalo, The State University of New York.
Buffalo, New York 14260-4750

Abstract
Chiefly secondary materials such as articles and symposium papers collected by John Clough, many with correspondence.

Administrative Information

Preferred Citation
[Specified item], John Clough Papers, ca. 1959-2002 , Music Library, University at Buffalo, The State University of New York

Restrictions on Access
Materials can be examined by qualified researchers in the Music Library during hours of operation during which Music Librarians are present. In order to insure access, researchers are advised to contact the Music Library in advance of visits.

Restrictions on Use
Copyright for the materials in the collection does not reside with the Music Library. Therefore, patrons wishing to publish any item, or part of an item from this collection for any purpose, are responsible for securing requisite permissions.

Acquisition
Gift of the estate of John Clough, 2003.

Processing
Processing by John Bewley.

Biographical Note

John Clough was born in Dover, Delaware in 1930. He graduated from Dover High School in 1947, earned his bachelor's degree in music at Oberlin College Conservatory of Music and earned his Master's degree in music at Yale University in 1955. He taught at Oberlin 1955-70 and at the University of Michigan 1970-81. He was the Slee Professor of Music Theory at the University at Buffalo, The State University of New York from 1981 until his retirement in 2002.

John Clough was one of the major music theorists during the second half of the twentieth century. He produced two music theory text books: Scales, Intervals, Keys, and Triads (1964; expanded edition, 1983; 3rd edition, 1999) and Basic Harmonic Progressions (1984). Clough was also the author of at least eighteen published articles, seven published reviews, and more than two dozen conference papers and lectures. He served as editor of Music Theory Spectrum 1985-55 and on the editorial boards of The Journal of Music Theory and Music Theory Online. His special area of expertise was the interaction of music and mathematics. His influence in the field of music theory extends beyond his own research and findings. He also shaped the field through his teaching and support he demonstrated for the work of other colleagues.

John Clough died September 3, 2003 in Knoxville, Tennessee.

Scope and Content Note

The collection comprises 407 folders in 17 boxes. The majority of the material (296 folders) consists of writings by authors in the field in which John Clough specialized: mathematics as it applies to music. Many of the articles and papers are accompanied by notes or correspondence by John Clough or other scholars. The group of scholars represented in the collection includes noted music theorists, Etyan Agmon, Jay Rahn, David Lewin, David Clampitt, Stephen Soderberg, Jack Douthett, Charles J. Smith, Norman Carey, John Chalmers, Richard Cohn, and many others. The collection also includes Clough's own writings, research notes, and musical analyses.

Correspondence in the collection is almost entirely work-related and very subject-specific. Therefore, correspondence located with articles was left with the article rather than creating a separate correspondence series. Folders that contain only correspondence have been placed in the same series with articles by other authors. These correspondence folders are placed before any other folders of items by the same author. As a result, it is important to note that correspondence by any single author may be scattered throughout many folders in the collection. John Clough's original subject-oriented arrangement was deemed more significant than collation by personal name.

Series Description

I. Personal documents. Folder 1. Clough's résumé from ca. 1990.

II. Writings.

A. Articles and lectures. Folders 2-16. Arranged alphabetically by title. Some folders contain notes and correspondence with others.

B. Writings with others. Folders 17-21. Arranged alphabetically by co-author names, then by title. Some folders contain notes or correspondence.

C. Analyses: pre-20th century. Folders 22-31. Arranged alphabetically by name of composer, with miscellaneous folder at end of sequence.

D. Analyses: 20th century. Folders 32-52. Arranged alphabetically by name of composer, with miscellaneous folder at end of sequence.

III. Research notes. Folders 53-71. Arranged alphabetically by folder title. Extent of contents varies, including articles, clippings, notes, and correspondence.

IV. Articles and papers by other authors. Folders 72-368. Arranged alphabetically by author names. Folders containing only correspondence are filed before other entries for an author. Many articles or papers also include correspondence specifically related to that paper. Some folders contain only the handouts or examples used with a presentation rather than the entire paper. Papers by unidentified authors are at the end of the sequence, arranged alphabetically by title.

V. Subject and conference files. Folders 369-378. Arranged alphabetically by subject. Folders also include notes and correspondence.

VI. Grant applications. Folders 379-382. Arranged alphabetically by name of grant-funding institution.

VII. Publications. Folders 383-386. Chiefly correspondence from publisher W. W. Norton regarding Clough's two books.

VIII. Bibliographies. Folders 387-402. Arranged alphabetically by author of bibliography, interfiled with journal titles separately indexed.

IX. Annotated books. Folders 403-407. Arranged alphabetically by author and then in order by receipt.

Container List

I. Personal Documents.

Box 1

Folder 1

Résumé (1990?)

II. Writings.

A. Articles and lectures (some with commentary from others).

Box 1	Folder 2	Aspects of diatonic sets Journal of Music Theory 23:1, 1979
Box 1	Folder 3	Chord personality profiles: the exclusion relation Lecture, March 17, 1981, with notes, illustrations, and notes
Box 1	Folder 4	Diatonic interval sets Commentary from Jay Rahn
Box 1	Folder 5	Diatonic interval sets and transformational structures Reprint from Perspectives of New Music Fall-Winter 1979
Box 1	Folder 6	Diatonic trichords in two pieces from Kurtág's Kafka-Fragmente: a neo-Riemannian approach Offprint from Studia Musicologica Academiae Scientarium Hungaricae 43:3-4, 2002
Box 1	Folder 7	An example of diatonic hierarchy in Beethoven's Symphony no. 5 in C minor, second movement Lecture, April 30, 1981, University at Buffalo
Box 1	Folder 8	Game of triad originally housed in Folder 15 with Some unstudied diatonic structures in classical music
Box 1	Folder 9	Interval circles Lecture, May 2, 1990, University at Buffalo
Box 1	Folder 10	Motivic shape in the late string quartets of Beethoven Typescript with annotations, Jan. 1982
Box 1	Folder 11	Music and mathematics Lecture, March 11, 1980, University of Michigan
Box 1	Folder 12	Music and mathematics: some recent connections Lecture, Feb. 24, 1994, Mt. Holyoke College
Box 1	Folder 13	A new theorem of the diatonic set Lecture, with illustrations and annotations, April 25, 1984, University at Buffalo
Box 1	Folder 14	Scale theory, finger exercises, and ear training Lecture, October 31, 1987, Music Teachers' National Association Meeting, Buffalo
Box 1	Folder 15	Some unstudied diatonic structures in classical music Examples only
Box 1	Folder 16	Trichords and transformations in two pieces from György Kurtág's Kafka-Fragments Version of paper presented at Buffalo Symposium on Neo-Riemannian Theory, July 20-21, 2001, with notes, examples, and correspondence.

B. Writings with others.

Box 1	Folder 17	Co-author(s): Douthett, Jack Hyperscales and the generalized tetrachord Article not included. Two reader's reports and notes. Article published in Journal of Music Theory 41:1, Spring 1997.
Box 1	Folder 18	Co-author(s): Douthett, Jack Maximally even sets With version presented in October 1989, with examples and notes.
Box 1	Folder 19	Co-author(s): Douthett, Jack ; Krantz, Richard Maximally even sets: a discovery in mathematical music theory is found to apply in physics Different versions of the text, with older title, Music, mathematics, and magnetic ordering With correspondence and notes for revisions, 1996-2000.
Box 1	Folder 20	Co-author(s): Ehrenkreutz, Stefan Diatonic hierarchies in tonal music Partial draft, with examples for October 29, 1981 presentation, notes, and correspondence
Box 2	Folder 21	Co-author(s): Myerson, Gerald Variety and multiplicity in diatonic systems With preliminary form under Clough's name alone, Chord structure and multiplicity in embedded diatonic systems. Also submitted as Musical scales and the generalized circle of fifths to American Mathematical Monthly, a version for scientists.

C. Analyses: pre-20th century.

Box 2	Folder 22	18th century counterpoint (chiefly Johann Sebastian Bach)
Box 2	Folder 23	Beethoven, Ludwig van
Box 2	Folder 24	Brahms, Johannes
Box 2	Folder 25	Chopin, Frédéric
Box 2	Folder 26	Haydn, Joseph
Box 2	Folder 27	Mozart, Wolfgang Amadeus
Box 2	Folder 28	Schubert, Franz
Box 2	Folder 29	Schumann, Robert
Box 2	Folder 30	Wagner, Richard
Box 2	Folder 31	Pre-20th century miscellaneous

D. Analyses: 20th century.

Box 3	Folder 32	Babbitt, Milton
Box 3	Folder 33	Barber, Samuel
Box 3	Folder 34	Bartók, Béla
Box 3	Folder 35	Berg, Alban
Box 3	Folder 36	Capers, Valerie
Box 3	Folder 37	Coltrane, John
Box 3	Folder 38	Dallapiccola, Luigi
Box 3	Folder 39	Debussy, Claude
Box 3	Folder 40	Hindemith, Paul
Box 3	Folder 41	Messiaen, Olivier
Box 3	Folder 42	Reich, Steve
Box 3	Folder 43	Schoenberg, Arnold - General
Box 3	Folder 44	Schoenberg, Arnold - Op. 33a, 33b
Box 3	Folder 45	Schoenberg, Arnold - Moses und Aron
Box 3	Folder 46	Scriabin, Aleksandr Nikolayevich
Box 4	Folder 47	Stravinsky, Igor
Box 4	Folder 48	Webern, Anton von - Op. 22
Box 4	Folder 49	Webern, Anton von - Op. 24
Box 4	Folder 50	Webern, Anton von - Op. 29
Box 4	Folder 51	Webern, Anton von - Collected
Box 4	Folder 52	20th century - Miscellaneous

III. Research notes.

Box 5	Folder 53	Change ringing Articles by Arthur White
Box 5	Folder 54	Concentric circle problem 6 leaves, no date
Box 5	Folder 55	Diatonic interval cycles and hierarchical structure Reviews of Clough's article, notes, and correspondence with Jay Rahn, David Lewin, Gerald Myerson, 1989-1990
Box 5	Folder 56	Indian scales Notes and correspondence with Jack Douthett, Lewis Rowell
Box 5	Folder 57	Indian scales, part 2 Articles by Lewis Rowell: How universal is the idea of mode? Evidence from Asia ; Scale and mode in ancient Tamil music literature; The origin of the Indian 22-tone system by Mieczyslaw Kolinski (1961); Pitch-class techniques, the pure fifth, and the East Indian grama family by Jack Douthett (Aug. 1982) With notes by John Clough, correspondence with Jack Douthett, Lewis Rowell, and Jay Rahn
Box 5	Folder 58	Kurtág research Notes, clippings, articles, and correspondence
Box 5	Folder 59	Long-range plans, etc.
Box 5	Folder 60	Microtonality Collection of articles and papers by Chris Mohr, John Chalmers, Richard Sanford, and Jim Horton
Box 5	Folder 61	Music and mathematics, etc. Correspondence with David Clampitt and Jack Douthett, 1988-1991
Box 5	Folder 62	Number theory at University of Michigan March 1979 issue of Research News: Pure mathematics: problems and prospects in number theory
Box 5	Folder 63	Positional evenness
Box 5	Folder 64	Projects in diatonic theory and evenness
Box 5	Folder 65	Research notes 1
Box 5	Folder 66	Research notes 2
Box 6	Folder 67	Research notes - Summer 1959
Box 6	Folder 68	Scales, sets, and interval cycles: a taxonomy Residual notes for article printed in Music Theory Spectrum 21:1, Spring 1999
Box 6	Folder 69	Science and art Clippings
Box 6	Folder 70	Set theory - miscellaneous
Box 6	Folder 71	Wong proof (x set) ; Clough proof (hex theorem)

IV. Papers and articles by others, many with correspondence.

Box 6	Folder 72	Agmon, Etyan Correspondence, 14 items, 1988-1995
Box 6	Folder 73	Agmon, Etyan Categories and prototypes in music: diatonic intonation and functional harmony Handout for Society for Music Theory 15th Annual Meeting
Box 6	Folder 74	Agmon, Etyan A mathematical model of the diatonic system Journal of Music Theory 33:1, 1989 Incomplete photocopy of typescript, two printed copies, and comments
Box 6	Folder 75	Agmon, Etyan Music theory as a cognitive science: some conceptual and methodological issues Music Perception 7:3, Spring 1990
Box 6	Folder 76	Agmon, Etyan Towards a diatonic theory of intonation Two versions: Photocopy of typescript, presented at meeting of the European Society for the Cognitive Science of Music, Oct. 1991; Reprint from Interface 22, 1993
Box 6	Folder 77	Agmon, Etyan When formal truths are intuitively problematic: inversional equivalence, distance, and the normed space
Box 6	Folder 78	Agmon, Etyan; Ramat-Gan Linear transformations between cyclically generated chords Musikometria 3, 1991
Box 6	Folder 79	Ahn, So-Yung Dissertation materials
Box 6	Folder 80	Alegant, Brian Correspondence and notes, 1995
Box 6	Folder 81	Alegant, Brian Generalizing twelve-tone combinatoriality
Box 6	Folder 82	Alegant, Brian Programs for the enumeration and analysis of twelve-tone mosaics
Box 6	Folder 83	Alegant, Brian Six of one half a dozen of the other: partitions and Milton Babbitt's Sextets
Box 6	Folder 84	Alegant, Brian When even becomes odd: a partitional approach to inversion Paper for Society for Music Theory Meeting, 1996
Box 6	Folder 85	Alegant, Brian ; McLean, Don On the nature of enlargement Paper for Society for Music Theory Meeting, Nov. 4, 1995
Box 6	Folder 86	Alpern, Wayne Minimum aggregate partitions: mapping timepoints in Babbitt's third and fourth string quartets Paper for Society for Music Theory Meeting, Nov. 2, 1996
Box 6	Folder 87	Althius, Theo. A. Mathematical structures in atonal music Master's thesis, Feb. 2000
Box 6	Folder 88	Balzano, Gerald J. The group-theoretic description of 12-fold and microtonal pitch systems Computer Music Journal 4:4, Winter 1980
Box 6	Folder 89	Balzano, Gerald J. The pitch set as a level of description for studying musical pitch perception In Music, Mind, and Brain: the neuropsychology of music, 1982
Box 6	Folder 90	Barbaud, Pierre Vademecum de l'ingénieur en musique, 1993. Chapter 3. Triades at Accords
Box 6	Folder 91	Bass, Richard Half-diminished functions and transformations in late-Romantic music Examples, 2000?
Box 6	Folder 92	Berry, David Carson The exclusion quotient With correspondence, 1995
Box 6	Folder 93	Bier, Carol Elements of plane symmetry in Oriental carpets Textile Museum Journal, 1992
Box 6	Folder 94	Blau, Stephen K. The hexachordal theorem: a mathematical look at interval relations in twelve-tone composition Mathematics Magazine 72:4, Oct. 1999
Box 6	Folder 95	Boge, Claire Correspondence, 1991
Box 6	Folder 96	Boge, Claire Idea and analysis: aspects of unification in musical explanation 1988
Box 6	Folder 97	Boge, Claire Poetic analysis and the musical experience Paper presented at Music Theory Midwest Meeting, May 17, 1991
Box 7	Folder 98	Bombieri, Enrico Prime territory: exploring the infinite landscape at the base of the number system The Sciences, Sept./Oct. 1992
Box 7	Folder 99	Browne, Richmond Tonal implications of the diatonic set In Theory Only 5:6-7, 1981
Box 7	Folder 100	Buchler, Michael An alternative to the interval-class vector and its use in relating abstract pitch-class sets Paper presented at Society for Music Theory Meeting, Nov. 3, 1995
Box 7	Folder 101	Buchler, Michael A cycle-based system for relating pitch-class sets Paper presented at Society for Music Theory Meeting, 1997
Box 7	Folder 102	Buchler, Michael Scale-step sequences in tonal music Paper presented at Music Theory Midwest Meeting, May 14, 1999
Box 7	Folder 103	Cambouropoulos, Emilios A general pitch interval representation: theory and applications Reprint from Journal of New Music Research 25, 1996
Box 7	Folder 104	Cambouropoulos, Emilios Unscramble: a new unsupervised symbolic machine learning algorithm - excerpt March 1997
Box 7	Folder 105	Capuzzo, Guy CUP spaces in post-tonal music Paper presented at Society for Music Theory Meeting, Nov. 5, 2000
Box 7	Folder 106	Capuzzo, Guy Pitch space ordering types in the recent solo music of Elliott Carter Paper presented at Music Theory Society of New York State Meeting, April 13, 1997
Box 7	Folder 107	Carey, Norman Correspondence, 1 item, 2000
Box 7	Folder 108	Carey, Norman Amarantha Composition with correspondence, 1992
Box 7	Folder 109	Carey, Norman Coherence and failure: a general theory of ambiguity and contradiction Paper presented at Society for Music Theory Meeting, Nov. 5, 2000
Box 7	Folder 110	Carey, Norman Generic ordering in well-formed scales With correspondence, 1995
Box 7	Folder 111	Carey, Norman Illustrations for lecture, University at Buffalo, 10/26/92
Box 7	Folder 112	Carey, Norman The ordering of generic intervals in well-formed scales 1992?
Box 7	Folder 113	Carey, Norman Well-formed scales and the invariant generator 1992?
Box 7	Folder 114	Carey, Norman ; Clampitt, David Aspects of well-formed scales Music Theory Spectrum 11:2, 1989
Box 7	Folder 115	Carey, Norman ; Clampitt, David Pythagorean scales and the Nicomachus triangle 1987?
Box 7	Folder 116	Carey, Norman ; Clampitt, David Regions: a theory of tonal spaces in early Medieval treatises 1991?
Box 7	Folder 117	Carey, Norman ; Clampitt, David Structural properties of musical scales 1986
Box 7	Folder 118	Carey, Norman ; Clampitt, David Two theorems concerning rational approximations
Box 7	Folder 119	Chailley, J. Essai analytique sur la formation de l'octoechos latin In Essays presented to Egon Wellesz, 1960
Box 7	Folder 120	Chalmers, John H. Correspondence, 1994-1997
Box 7	Folder 121	Chalmers, John H. Construction and harmonization of microtonal scales in non-twelve-tone equal temperaments With copy in Italian, 1992
Box 7	Folder 122	Chalmers, John H. Cyclic scales 1975?
Box 7	Folder 123	Chalmers, John H. Music and geometry
Box 7	Folder 124	Chalmers, John H. Tritriadic scales with seven tones
Box 7	Folder 125	Chalmers, John H. Tritriadic scales with seven tones, Part Two: derived forms and structural properties 1986
Box 7	Folder 126	Chalmers, John H. Tritriadic scales with seven tones, Part Three: The M-T and D-M matrices
Box 7	Folder 127	Chalmers, John H. ; Wilson, Ervin M. Combination product sets and other harmonic and melodic structures 1982
Box 7	Folder 128	Clampitt, David Correspondence, 6 items, 1988-1991
Box 7	Folder 129	Clampitt, David Correspondence with Richard Cohn and David Lewin, 3 items, 1994-1996
Box 7	Folder 130	Clampitt, David Alternative interpretations of some measures from Parsifal 1996?
Box 7	Folder 131	Clampitt, David Aspects of taxonomic and transformational music theories Examples, March 16, 2000
Box 7	Folder 132	Clampitt, David Brahms paper Fall 1999
Box 7	Folder 133	Clampitt, David Lumpiness is orthogonal to smoothness Examples, March 18, 1992
Box 7	Folder 134	Clampitt, David Maximally even sets summary
Box 7	Folder 135	Clampitt, David nlog23 1992
Box 8	Folder 136	Clampitt, David Notes on Pythagorean tuning and well-formed scales Nov. 6, 1992
Box 8	Folder 137	Clampitt, David Ramsey theory, unary transformations, and Webern's op. 5, no. 4 1997?
Box 8	Folder 138	Clampitt, David Recent diatonic theory and the Scholia Enchiriadis Oct. 1992
Box 8	Folder 139	Clampitt, David Riemann groups Dec. 1, 1996
Box 8	Folder 140	Clampitt, David Some refinements on the three gap theorem with applications to music Paper presented at International Symposium on Music and Mathematics, May 29-30, 1994
Box 8	Folder 141	Clampitt, David Structural and transformational properties of pairwise well-formed scales Paper presented at Society for Music Theory Meeting, Oct. 31, 1997
Box 8	Folder 142	Cohn, Richard Correspondence, 4 items, 1995, between Clough, Cohn, Jack Douthett, David Clampitt, and David Lewin; with other examples
Box 8	Folder 143	Cohn, Richard Brahms's complex hemiolas Oct. 1998
Box 8	Folder 144	Cohn, Richard Maximally smooth cycles, hexatonic systems, and the analysis of late-Romantic triadic progressions Music analysis 15:1, March 1996
Box 8	Folder 145	Cohn, Richard Metric and hypermetric dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550 Intégral 6, 1993
Box 8	Folder 146	Cohn, Richard Music theory's new pedagogability Music Theory Online 4:2, 1998
Box 8	Folder 147	Cohn, Richard Neo-Riemannian operations, parsimonious trichords, and their Tonnetz representations Journal of Music Theory 41:1, 1997
Box 8	Folder 148	Cohn, Richard The over-determined triad: a group-theoretic approach to chromatic harmony - book prospectus 1994, 1998
Box 8	Folder 149	Cohn, Richard P-related sets With correspondence, 1992-1993, including with Paul Ishihara
Box 8	Folder 150	Cohn, Richard Properties and generability of transpositionally invariant sets Journal of Music Theory 35, 1991
Box 8	Folder 151	Cohn, Richard Thematicized hemiolas, rhythmic normalization, and the metric consonance/dissonance metaphor Examples for paper presented at Society for Music Theory Meeting, Oct. 18, 1992
Box 8	Folder 152	Cohn, Richard Transpositional combination of beat-class sets in Steve Reich's phase-shifting music (with earlier version) Perpspectives of New Music 30:2, Summer 1992 Earlier working title: Teleology, craft, tradition, and analysis in a minimalist context: transpositional combination of beat-class sets in Steve Reich's phase-shifting music
Box 8	Folder 153	Corless, Robert M. Continued fractions and chaos American Mathematical Monthly 99:3, March 1992
Box 8	Folder 154	Cuciurean, John Properties of equal-tempered microtonal scales in Easley Blackwood's 12 Microtonal etudes, op. 28 Dec. 14, 1994
Box 8	Folder 155	Dembski, Stephen Steps and skips from content and order: aspects of a generalized step-class system With correspondence (1 item) to Clough, 1989
Box 8	Folder 156	Derrick, William ; Eidswick, Jack Continued fractions, Chebychev polynomials, and chaos American Mathematical Monthly 102:4, April 1995
Box 8	Folder 157	Douthett, Jack Correspondence and miscellaneous notes, 18 items, 1989-1999
Box 8	Folder 158	Douthett, Jack Correspondence - Knuth problem, 1992
Box 8	Folder 159	Douthett, Jack Correspondence on Pn relations, 1992-1993
Box 9	Folder 160	Douthett, Jack An approach to ETS theory Lecture notes, no date
Box 9	Folder 161	Douthett, Jack Boolean rings 1994
Box 9	Folder 162	Douthett, Jack Circular distribution and measurements Nov. 1992
Box 9	Folder 163	Douthett, Jack Combinatorial properties of diatonic scale theory Lecture notes, 1989?
Box 9	Folder 164	Douthett, Jack Floor functions and maximally even sets and configurations
Box 9	Folder 165	Douthett, Jack Formal mathematical intervallic notation
Box 9	Folder 166	Douthett, Jack Inversion graphs 1994
Box 9	Folder 167	Douthett, Jack Iterated symmetry and the dynamics of voice leading
Box 9	Folder 168	Douthett, Jack Me and music 1988
Box 9	Folder 169	Douthett, Jack P-relations Addressed to Richard Cohn, 1994?
Box 9	Folder 170	Douthett, Jack Pn-relations and scale theory 1993?
Box 9	Folder 171	Douthett, Jack A perceptual approach to the metastructure of music
Box 9	Folder 172	Douthett, Jack Pitch-class techniques, the pure fifth, and the East Indian grama family 1992
Box 9	Folder 173	Douthett, Jack Set properties of the series type used in Webern's Concerto for Nine Instruments, op. 24 1983
Box 9	Folder 174	Douthett, Jack 3-dimensional tiling Oct. 29, 1997
Box 9	Folder 175	Douthett, Jack The twin primes problem and musical scales and chords (MP, CV, and twin primes) 1994?
Box 9	Folder 176	Douthett, Jack The 2-dimensional antiferromagnetic Ising model July 1996
Box 9	Folder 177	Douthett, Jack [Wheels and maximally even sets] Pencil ms., June 5, 1991 Typescript, June 26, 1996
Box 9	Folder 178	Douthett, Jack ; Block, Steven Vector products and intervallic weighting
Box 9	Folder 179	Douthett, Jack ; Entringer, Roger ; Krantz, Richard Tuning and continued fractions 1999?
Box 9	Folder 180	Douthett, Jack ; Entringer, Roger; Mullhaupt, Andrew Musical scale construction: the continued fraction compromise 1992
Box 9	Folder 181	Douthett, Jack ; Krantz, Richard Construction and interpretation of equal-tempered scales using frequency ratios, maximally even sets, and P-cycles Journal of the Acoustical Society of America 107:5, May 2000
Box 9	Folder 182	Douthett, Jack ; Krantz, Richard Energy extremes and spin configurations for the one-dimensional antiferromagnetic Ising model with arbitrary-range interaction Journal of Mathematical Physics 37:7, July 1996
Box 9	Folder 183	Douthett, Jack ; Krantz, Richard A measure of the reasonableness of equal-tempered musical scales 1993
Box 9	Folder 184	Douthett, Jack ; Krantz, Richard J. ; Doty, Steven D. Maximally even sets and the devil's staircase phase diagram for the one-dimensional Ising antiferromagnet with arbitrary-range interaction 1997?
Box 9	Folder 185	Dubiel, Joseph Function, explanation, and interpretation
Box 9	Folder 186	Dugger, Ed Correspondence, 1 item, July 27, 1990
Box 9	Folder 187	Dunne, Edward Pianos and continued fractions Paper presented at American Mathematical Society Meeting, Jan. 10, 1999
Box 9	Folder 188	Engebretsen, Nora Some comments on the generation of certain scales with multiple constraints Notes from John Clough, David Clampitt, and Engebretsen; article itself not included Dec. 1994 Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy
Box 9	Folder 189	Erlich, Paul Tuning, tonality, and twenty-two-tone temperament With correspondence, 15 items, 1997
Box 9	Folder 190	Forte, Allen Pitch-class set genera and the origin of modern harmonic species Journal of Music Theory 32:2, Fall 1988
Box 9	Folder 191	Foulkes-Levy, Laurdella LFB: Diatonic theory notes
Box 9	Folder 192	Foulkes-Levy, Laurdella Three categories of chord connection and their interactions with harmonic activity and musical form
Box 9	Folder 193	Fraenkel, Aviezri S. The bracket function and complementary sets of integers Canadian Journal of Mathematics, 1969
Box 9	Folder 194	Fuller, Sarah Examples for Fuller: "Defending the Dodecachordon" Written by Clough
Box 10	Folder 195	Gamer, Carlton Deep scales and difference sets in equal-tempered systems American Society of University Composers: Proceedings of the annual conference. II (1967) With accompanying notes by Clough
Box 10	Folder 196	Gamer, Carlton Et setera: some temperamental speculations Music Theory: special topics, 1981
Box 10	Folder 197	Gamer, Carlton Some combinatorial resources of equal-tempered systems Journal of Music Theory 11:1, Spring 1967
Box 10	Folder 198	Gamer, Carlton ; Roeder, David W. ; Watkins, John J. Trapezoidal numbers Mathematics Magazine 58:2, March 1985
Box 10	Folder 199	Gamer, Carlton ; Wilson, Robin J. Musical block designs Ars combinatorial 16-A, 1983
Box 10	Folder 200	Gauldin, Robert The cycle-7 complex: relations of diatonic set theory to the evolution of ancient tonal systems Music Theory Spectrum 5, Spring 1983
Box 10	Folder 201	George, Thomas F. Clusters and microstructures 1991?
Box 10	Folder 202	George, Thomas F. Derivation of the model
Box 10	Folder 203	George, Thomas F. ; Jelski, Daniel A. Clusters: link between molecules and solids Journal of Chemical Education 65, Oct. 1988
Box 10	Folder 204	George, Thomas F. ; Jelski, Daniel A. ; Wu, Z. C. Vibrational motions of Buckminsterfullerene Chemical Physics Letters 137:3, June 12, 1987
Box 10	Folder 205	George, Thomas F. ; Wang, Youqi ; Lindsay, D. M. ; Beri, A. C. The Hückel model for small metal clusters. I. Geometry, stability and relationship to graph theory Journal of Chemical Physics 86:6, March 15, 1987
Box 10	Folder 206	George, Thomas F. ; Wang, Youqi ; Lindsay, D. M. The Hückel model for small metal clusters. II. Orbital energies, shell structures, ionization potentials, and extrapolation to the bulk limit Journal of Chemical Physics 86:6, March 15, 1987
Box 10	Folder 207	George, Thomas F. ; Wang, Youqi ; Lindsay, D. M. The Hückel model for small metal clusters. IV. Orbital properties and cohesive energies for model clusters of up to several hundred atoms Journal of Cluster Science 1:1, March 1990
Box 10	Folder 208	Gollin, Edward Crystallographic space lattices … Tonnetz Figures for paper presented at Buffalo Music Theory Symposium, July 18-19, 1997
Box 10	Folder 209	Gollin, Edward An interesting dihedral group, its automorphisms, and transformations in Bartók's "Minor seconds, major sevenths" Paper presented at New England Conference of Music Theorists, April 6, 1997
Box 10	Folder 210	Gollin, Edward Transformational spaces and metaphorical journeys in some Schubert Lieder 1998?
Box 10	Folder 211	Gordon, Carolyn ; Webb, David You can't hear the shape of a drum American Scientist 84, Jan.-Feb. 1996
Box 10	Folder 212	Graham, R. L. Covering the positive integer by disjoint sets of the form … Journal of Combinatorial Theory 15, 1973
Box 10	Folder 213	Grmela, Sylvia Dissertation material on Kurtág
Box 10	Folder 214	Grmela, Sylvia Messiaen's Pièce pour piano et quatuor à cordes 1991
Box 10	Folder 215	Grmela, Sylvia Paper presented at Society for Music Theory meeting, 1997
Box 10	Folder 216	Guy, Richard K. Unsolved problems in number theory 1981
Box 10	Folder 217	Guy, Richard K. Western number theory problems 1992-12-19 & 22
Box 10	Folder 218	Haack, Joel K. Clapping music - a combinatorial problem College Mathematics Journal 22, 1991
Box 10	Folder 219	Hanson, Howard The projection and interrelation of sonorities in equal temperament from Harmonic Materials of Modern Music, 1960
Box 10	Folder 220	Hauptmann, Moritz The nature of harmony and metre Photocopy of Da Capo Press reprint, 1991
Box 10	Folder 221	Heinemann, Stephen Boulez's elegant operation: pitch-class set multiplication in Le marteau sans maître 1992
Box 10	Folder 222	Herron, Amy J. Exploring melodic patterns in diatonic and chromatic music With correspondence, 2000
Box 10	Folder 223	Herstein, I. N. Topics in algebra, 1964? Photocopy of p. 1-38
Box 10	Folder 224	Hook, Julian L. Correspondence between Hook, Jack Douthett, and John Clough, 5 items, 1999-2001
Box 10	Folder 225	Hook, Julian L. Cross-type transformations, GIS homomorphisms, and generalized transposition and inversion Paper presented at Indiana Graduate Theory Association Symposium, Feb. 25, 2000
Box 10	Folder 226	Hook, Julian L. Equal-tempered approximations to intervals by the method of continued fractions May 1, 1997
Box 10	Folder 227	Hook, Julian L. Uniform triadic transformations ; A Unified theory of triadic transformations Dissertation proposal, with correspondence, 1999-2000
Box 10	Folder 228	Hughes, J. Robin Correspondence, 2 items, 1986
Box 10	Folder 229	Hyde, Martha Dodecaphony: Schoenberg (op. 33b) From Early Twentieth Century Music, 1993
Box 10	Folder 230	Hyer, Brian Reimag(in)ing Riemann Journal of Music Theory 39:1, Spring 1995
Box 11	Folder 231	Isaacson, Eric J. Similarity relations in music analysis Paper presented at Society for Music Theory Meeting, 1992
Box 11	Folder 232	Ishihara, Paul ; Knapp, Michael Basic Z12 analysis of musical chords Tools for Teaching, 1993
Box 11	Folder 233	Jefferis, Jim Analytically rich Klumpenhouwer networks: their properties and conditions Class paper for MUS613, Dec. 16, 1996
Box 11	Folder 234	Johnson, Timothy Correspondence, 1 item, 1997
Box 11	Folder 235	Johnson, Timothy Foundations of diatonic theory: a supplemental text for introductory music theory classes, 2000 With review by Clough
Box 11	Folder 236	Jones, Mari Reiss Music as a stimulus for psychological motion: Part I. Some determinants of expectancies Psychomusicology 1:2, 1981
Box 11	Folder 237	Jung, Jiyoung The new approach respect to contour theory in Deut by Milton Babbitt Notes for class presentation, Dec. 10, 1999
Box 11	Folder 238	Kárpáti, János Alternative structures in Bartók's Contrasts Studia Musicologica Academiae Scientiarum Hungaricae 23, 1981
Box 11	Folder 239	Kleeman, Emily Number theoretical relationships between mathematics and music 1993
Box 11	Folder 240	Klein, Michael Correspondence, 2001
Box 11	Folder 241	Klein, Michael Chopin's Etude in C, op. 10/1: text, context, and intertext
Box 11	Folder 242	Klumpenhouwer, Henry Essay on Lewin's and Hyer's use of transformations derived from Riemann's work Music Theory Online, 1994
Box 11	Folder 243	Kochavi, Jonathan Musical groups 1994
Box 11	Folder 244	Kochavi, Jonathan Sequences
Box 11	Folder 245	Kopp, D. A system of pentatonic organization in a Debussy prelude Paper presented at Society for Music Theory Meeting, Oct. 16, 1992
Box 11	Folder 246	Kreyszig, Walter Correspondence, 8 items, 1996-1998
Box 11	Folder 247	Krumhansl, Carol L. Correspondence, 2 items, 1995, 1997
Box 11	Folder 248	Krumhansl, Carol L. General properties of musical pitch systems: some psychological considerations From Harmony and Tonality, 1987
Box 11	Folder 249	Krumhansl, Carol L. Perceptual analysis: tension and topic in music
Box 11	Folder 250	Krumhansl, Carol L. Rhythm and pitch in musical cognition Psychological Bulletin 126:1, 2000
Box 11	Folder 251	Krumhansl, Carol L. Tonal hierarchies in atonal and non-Western tonal music ; Music cognition: theoretical and empirical generalizations Chapters 10 and 11 from the author's Cognitive Foundations of Musical Pitch, 1990
Box 11	Folder 252	Krumhansl, Carol L. ; Kessler, Edward J. Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys Psychological Review 89:4, 1982
Box 11	Folder 253	Kurth, Richard A partition-lattice model of prolongation and progression in twelve-tone music 2000
Box 11	Folder 254	Kurth, Richard Schoenberg and combinatoriality: another perspective
Box 11	Folder 255	Lefkoff, Gerald The complex functional fields in diatonic-tonal compositions 1992
Box 11	Folder 256	Lekkas, Demetrios E. Correspondence and excerpt from book, 1996
Box 11	Folder 257	Lerdahl, Fred Cognitive constraints on compositional systems From Cognitive Processes in Music, 1988
Box 11	Folder 258	Lewin, David Correspondence with Clough, Richard Cohn, David Clampitt, 1993-1994
Box 11	Folder 259	Lewin, David Formal theory of generalized tonal functions Journal of Music Theory 26:1, Spring 1982 With correspondence
Box 11	Folder 260	Lewin, David Interesting cases of the interval function between pitch-class sets X and Y
Box 11	Folder 261	Lewin, David Transformational considerations in Schoenberg's Opus 23, number 3
Box 11	Folder 262	Lindley, Mark Mersenne on keyboard tuning Journal of Music Theory 24:2, Fall 1980
Box 11	Folder 263	Lindley, Mark A systematic approach to chromaticism With correspondence, 2 items, 1993
Box 12	Folder 264	Makeig, Scott Affective versus analytic perception of musical intervals From Music, Mind, and Brain, 1982
Box 12	Folder 265	Mandell, Arnold J. ; Selz, Karen A. ; Giangrande, Janice Eigenfunction themes and ergodic variations in jazz and classical music
Box 12	Folder 266	Mathews, M. V. ; Pierce, J. R. ; Roberts, L. A. Harmony and new scales From Harmony and tonality: Papers given at a seminar organized by the Music Acoustics Committee of the Royal Swedish Academy of Music, 1987
Box 12	Folder 267	Mavromatis, Panayotis ; Williamson, Virginia Similarity of pitch class sets: a perceptual study Paper presented at Society for Music Theory Meeting, Oct. 30, 1997
Box 12	Folder 268	Mazzola, Guerino ; Zahorka, Oliver Rubato: the open standard workstation for analysis and performance of music 1996? With correspondence regarding Mazzola's planned lecture in Buffalo and a Perspectives of New Music article by John Roeder: "A MaMuTh achievement" about Mazzola's work
Box 12	Folder 269	McCartin, Brian J. Prelude to musical geometry College Mathematics Journal 29:5, 1998
Box 12	Folder 270	McLaren, Brian General methods for generating musical scales 1996
Box 12	Folder 271	McLaren, Brian Postings on modern theory and microtonality 1995
Box 12	Folder 272	McLaren, Brian ; Darreg, I. Biases in xenharmonic scales Xenharmonikon 13, Spring 1991
Box 12	Folder 273	Mead, Andrew Webern, tradition, and "composing with twelve tones …" 1990
Box 12	Folder 274	Meredith, David Tonal scales and graph theory, 1992 With correspondence, 3 items, between Clough, Meredith, and Jack Douthett
Box 12	Folder 275	Morris, Robert D. Equivalence and similarity in pitch and their interaction in Pcset theory Paper presented at Society for Music Theory Meeting, 1994
Box 12	Folder 276	Morris, Robert D. Sets, scales, and rhythmic cycles: a classification of talas in Indian music Examples for paper presented at Society for Music Theory Meeting, 1998
Box 12	Folder 277	Morris, Robert D. Voice-leading spaces
Box 12	Folder 278	Morris, Robert D. Why weight? Pitch-class duplications in twelve-tone polyphony
Box 12	Folder 279	Myerson, Gerry Correspondence, 9 items, 1987-1990
Box 12	Folder 280	Neal, Jocelyn Graphic representation of trichord-partition symmetries in selected hexachords Paper presented at Music Theory Society of New York State, 1997
Box 12	Folder 281	Nolan, Cathy Appendix: Interval cycles generalized With correspondence, 2 items, 1996
Box 12	Folder 282	O'Connell, Walter Tone spaces, 1959 With correspondence
Box 12	Folder 283	Olds, C. D. Continued fractions Photocopy of 5th printing, 1963
Box 12	Folder 284	Olivastro, Dominic Object lessons: state of grace The Sciences, May/June 1991
Box 12	Folder 285	Oña, Erik Preliminary remarks on voice leading pattern classes, 1997?
Box 12	Folder 286	Park, Jae-Sung Correspondence, 1 item, Oct. 17, 1990
Box 12	Folder 287	Payne, Maribeth Anderson, on behalf of Schirmer Books Correspondence, 1989
Box 12	Folder 288	Peck, Robert W. Correspondence, 2001
Box 12	Folder 289	Peifer, David An introduction to combinatorial group theory and the word problem Mathematics Magazine 70:1, Feb. 1997
Box 12	Folder 290	Peles Partial orderings as compositional prototypes
Box 12	Folder 291	Polansky, Larry More on morphological mutation functions, recent techniques and developments 1993?
Box 12	Folder 292	Pressing, Jeff Cognitive isomorphisms between pitch and rhythm in world musics: West Africa, the Balkans and Western tonality Studies in Musici 17, 1983
Box 12	Folder 293	Quinn, Ian Fuzzy transposition of pitch sets Paper presented at Society for Music Theory Meeting, Nov. 2, 1996
Box 12	Folder 294	Quinn, Ian On relations, similarity, and similarity relations Paper presented at Society for Music Theory Meeting, 1997
Box 12	Folder 295	Rahn, Jay Correspondence, ca. 20 items, 1991-1999
Box 12	Folder 296	Rahn, Jay An advance on A Theory for all music: at-least-as predicates for pitch, time and loudness; figures and appendix 1990
Box 12	Folder 297	Rahn, Jay Asymmetrical ostinatos in sub-Saharan music: time, pitch, and cycles reconsidered In Theory Only 9:7, March 1987
Box 12	Folder 298	Rahn, Jay "Chinese harmony" and contemporary non-tonal music theory Canadian University Music Review 19:2, 1999
Box 12	Folder 299	Rahn, Jay Constructs for modality, ca. 1300-1500 Canadian Association of University Schools of Music Journal 8:2, Autumn 1978
Box 12	Folder 300	Rahn, Jay Counting pairs that match or differ, and the gestalt principle of similarity in music
Box 13	Folder 301	Rahn, Jay The isomorphism of pitch and time From A Theory for All Music, 1983
Box 13	Folder 302	Rahn, Jay Perceptual aspects of tuning in a Balinese gamelan angklung for North American students Canadian University Music Review 16:2, 1996
Box 13	Folder 303	Rahn, Jay Recent diatonic theory and Curwen's tonic sol-fa method: formal models for a kinesic-harmonic system Proceedings of the Third Triennial ESCOM conference, June 1997
Box 13	Folder 304	Rahn, Jay Restricted relational richness and musical analysis Journal of Comparative Literature and Aesthetics 8:1-2, 1985
Box 13	Folder 305	Rahn, Jay Structure and frequency in South Indian melas Proceedings of the Saint Thyagaraja music festivals, 1981
Box 13	Folder 306	Rahn, Jay Turning the analysis around: Africa-derived rhythms and Europe-derived music theory Black Music Research Journal 16:1, Spring 1996
Box 13	Folder 307	Rahn, Jay ; Xue-Qing, Xu "Chinese harmony" and contemporary non-tonal music theory, 1996
Box 13	Folder 308	Randolph, John On Lewin's generalized interval systems 1993
Box 13	Folder 309	Ravenstein, Tony van Optimal spacing of points on a circle Fibonacci Quarterly, Feb. 1989
Box 13	Folder 310	Reiner, David L. Enumeration in music theory The American Mathematical Monthly 92:1, Jan. 1985
Box 13	Folder 311	Roeder, John A calculus of accent ca. 1990?
Box 13	Folder 312	Roeder, John Issues of representation in the analysis of atonal music Proceedings of the First Workshop on Artificial Intelligence and Music, 1988
Box 13	Folder 313	Roeder, John A Prolog program for music segmentation Musicus 1:2, Dec. 1989
Box 13	Folder 314	Roeder, John Second thoughts: pretension and form in Fauré's Prelude, op. 103, no. 9
Box 13	Folder 315	Roeder, John Semiotic aspects of music analysis
Box 13	Folder 316	Roeder, John Voice leading as transformation
Box 13	Folder 317	Rogers, John Some properties of non-duplicating rotational arrays 1966?
Box 13	Folder 318	Rogers, John ; Mitchell, Barry A problem in mathematics and music American Mathematical Monthly 75, 1968 With notes
Box 13	Folder 319	Roiter, Robert Set transformation geometry Nov. 10, 1983
Box 13	Folder 320	Rothenberg, David A model for pattern perception with musical applications Part II: The information content of pitch structures Mathematical Systems Theory 11, 1978
Box 13	Folder 321	Rowell, Lewis Correspondence, 6 items, 1994-1997
Box 13	Folder 322	Rowell, Lewis The pentatonic dialect(s) of India 1996?
Box 13	Folder 324	Rudin, Cynthia The complement theorem and its applications Dec. 15, 1998
Box 13	Folder 324	Samplaski, Artie Axiomatic derivations of scales: a comparative review/critique of three approaches 1997
Box 13	Folder 325	Santa, Matthew Hexatonic and nonatonic systems in late nineteenth century music 2001
Box 13	Folder 326	Santa, Matthew Modular sets and modular set types 1999
Box 13	Folder 327	Schat, Peter On harmony and tonality Key Notes 19, 1984
Box 13	Folder 328	Schat, Peter The tone clock: or, the zodiac of the twelve tonalities Key Notes 17, 1983
Box 13	Folder 329	Scott, Damon ; Isaacson, Eric J. The interval angle: a similarity measure for pitch-class sets
Box 13	Folder 330	Shepard, Roger N. ; Jordan, Daniel S. Auditory illusions demonstrating that tones are assimilated to an internalized musical scale Science 226, Dec. 1984
Box 13	Folder 331	Slawson, Wayne Subaggregate braids
Box 13	Folder 332	Sloan, Donald Fuzzy set theory, fuzzy measures, and their application to resemblance theories in music Handouts for paper presented at Society for Music Theory Meeting, Nov. 3, 1995
Box 13	Folder 333	Slottow, Stephen A Ruggles compositional model and its unfoldings 2000
Box 13	Folder 334	Smith, Charles J. Correspondence, 1 item, 1995
Box 13	Folder 335	Smith, Charles J. Appreciation for John Clough Two versions
Box 13	Folder 336	Smith, Charles J. Diatonic sequences Lecture notes
Box 13	Folder 337	Smith, Charles J. Tonal models of music. ch. 2.6, 5, 6, 1996
Box 13	Folder 338	Smith, J. David Correspondence, 2 items, 1992
Box 14	Folder 339	Snell, James Mathematics and music Oct. 19, 1990
Box 14	Folder 340	Soderberg, Stephen Correspondence, 5 items, 2001
Box 14	Folder 341	Soderberg, Stephen White note fantasy With review, correspondence, and notes, 1997
Box 14	Folder 342	Steinbach, Peter A case for the heptagon
Box 14	Folder 343	Steinbach, Peter Golden fields: a case for the heptagon Mathematics Magazine 70:1, Feb. 1997
Box 14	Folder 344	Steinbach, Peter Sections beyond golden
Box 14	Folder 345	Stephens, Peter W. ; Goldman, Alan I. The structure of quasicrystals Scientific American April 1991
Box 14	Folder 346	Stoecker, Philip Axial isography as an extension of Klumpenhouwer networks Examples for paper presented at Music Theory Society of New York State, April 8-9, 2000
Box 14	Folder 347	Straus, Joseph N. A new model for voice leading in atonal music Examples for paper presented at Society for Music Theory Meeting, Nov. 10, 2001
Box 14	Folder 348	Straus, Joseph N. Voice leading in atonal music Paper presented at Florida State University Music Theory Forum, Feb. 27, 1993
Box 14	Folder 349	Swinden, Kevin Aspects of current theoretical thought on interval cycles Paper for class, MUS613, Theory of Scales, Dec. 14, 1994 Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy
Box 14	Folder 350	Swinden, Kevin Scriabin's late period: independent study report, Dec. 1994 Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy
Box 14	Folder 351	Tam, Christine The musical theory and microtonal compositions of Alois Haba (1893-1973) Thesis proposal, July 2, 2002
Box 14	Folder 352	Thomas, Scott Correspondence, 1 item, 1993
Box 14	Folder 353	Thomas, Scott Millileau rows
Box 14	Folder 354	Thomas, Scott Vector products, evenness, and altered sets
Box 14	Folder 355	Vieru, Anatol Correspondence, 17 items, 1996-1997
Box 14	Folder 356	Vieru, Anatol The "Other" music With correspondence, 1997
Box 14	Folder 357	Vinogradov, I. M. Elements of number theory Photocopy. Translated from the fifth rev. ed. by Saul Kravetz. 1954
Box 14	Folder 358	Watkins, Glenn Correspondence, 1 item, 1995
Box 14	Folder 359	Watkins, Glenn Stravinsky and a theory of games Examples for paper presented at University at Buffalo, Oct. 16, 1995
Box 14	Folder 360	Westergaard, Peter Constructing a pitch system for tonal music From An introduction to tonal theory, 1975
Box 14	Folder 361	Wilson, Ervin M. Correspondence with John H. Chalmers, 1964-1975
Box 14	Folder 362	Wilson, Ervin M. AILM 29, et al., 1994
Box 14	Folder 363	Wilson, Ervin M. Scale-tree, 1994 With correspondence, 1995
Box 14	Folder 364	Wilson, Ervin M. Some basic patterns underlying genus 12 & 17 1983
Box 14	Folder 365	Unidentified Appendix: Functions on groups
Box 14	Folder 366	Unidentified Composite interval cycle sets, their relations, and applications With review by Clough
Box 14	Folder 367	Unidentified A measure of eveness and maximally even sets
Box 14	Folder 368	Unidentified The mystic chord and its chromatic modifications, (Scriabin) 1993

V. Subject and conference files.

Box 15	Folder 369	Berry, Wallace. Proposed publication of his unpublished works Correspondence, 1992-1993
Box 15	Folder 370	Buffalo Music Theory Working Group. Meeting held at University at Buffalo, July 28-29, 1993 Correspondence, bibliography, proposal notes, etc.
Box 15	Folder 371	Buffalo Music Theory Working Group. Meeting held at University at Buffalo, July 28-29, 1993 John Clough's notes
Box 15	Folder 372	Buffalo Music Theory Working Group. Meeting held at University at Buffalo, July 18-19, 2001. "2nd Buffalo Music Theory Symposium: Neo-Riemannian Transformations: mathematics and applications" Correspondence
Box 15	Folder 373	Evans, Bill Music for tunes by pianist Bill Evans or played by him
Box 15	Folder 374	International Symposium on Music and Mathematics (1994 : Bucharest, Rumania) Program and correspondence
Box 15	Folder 375	Neo-Riemannian theory issue of Journal of Music Theory 42:2 Correspondence, 1997-1998
Box 15	Folder 376	Neo-Riemannian Theory Symposium, University at Buffalo, July 2001 Correspondence, 2000-2001
Box 15	Folder 377	Society for Music Theory Meeting, Chapel Hill, North Carolina, Dec. 1998 Papers on Riemann Brown, Stephen C. Dual interval space in twentieth-century music Childs, Adrian P. Symmetric family values: notions of closeness in transformational systems Engebretsen, Nora. Psychological-aesthetic foundations and group-theoretic perspectives: triadic relations in Hostinský's Die Lehre von den musikalischen Klängen Gauldin, Robert. Further manifestation of the Douth2 relation in Tristan and Wagner's other music dramas Kopp, David. Subverting the dominant paradigm? shifting concepts of V in influential 19th century theories and some implications for today Mooney, Kevin. Musical syntax, the Tonnetz, Schubert's Impromptu Murphy, Scott. Generalized cyclical motions in Wagnerian triadic progressions Rehding, Alexander. Major thirds and German nationhood: Hugo Riemann's Myth of Ethnic Election
Box 15	Folder 378	Three-gap theory, miscellaneous Fried, E. ; Sós, Vera T. A generalization of the three-distance theorem for groups Algebra Universalis 29, 1992 Halton, John H. The distribution of the sequence … Proceedings of the Cambridge Philosophical Society 61, 1965 Ruzsa, Imre Z. Generalized arithmetical progressions and sumsets Preprint no.: 38/1992, Mathematical Institute of the Hungarian Academy of Sciences Slater, Noel B. Gaps and steps for the sequence n0 mod 1 Proceedings of the Cambridge Philosophical Society 63, 1967 Sós, Vera T. On the distribution Mod 1 of the sequence na Annales Universitatis Scientiarum Budapestinensis … 1958

VI. Grant applications.

Box 16	Folder 379	American Society of Learned Societies, 1987
Box 16	Folder 380	John Simon Guggenheim Memorial Foundation Fellowship application, 1990
Box 16	Folder 381	John Simon Guggenheim Memorial Foundation Fellowship application, 1988
Box 16	Folder 382	National Endowment for the Humanities application for Fellowships for University Teachers, 1987?, 1991

VII. Publications.

Box 16	Folder 383	Basic Harmonic Progressions Comment cards from W.W. Norton
Box 16	Folder 384	Scales, Intervals, Keys, Triads, Rhythm, and Meter Reviews, etc.
Box 16	Folder 385	W.W. Norton Statements of royalties
Box 16	Folder 386	W. W. Norton Correspondence

VIII. Bibliographies.

Box 17	Folder 387	Benjamin, William E. Publications record
Box 17	Folder 388	Browne, Richmond Mind/Brain "stuff"
Box 17	Folder 389	Christensen, Thomas Bibliography on tonal rhythm
Box 17	Folder 390	Clough, John A bibliography of writings in English on atonal and serial music and set-theoretic analysis (1979-1985)
Box 17	Folder 391	The computer and the humanities Indexes for 1969-1975
Box 17	Folder 392	Dissertation Abstracts International. Music and the performing arts, selected collection of doctoral dissertations and masters theses, 1987-1991
Box 17	Folder 393	In Theory Only Indexes for 1955-1970
Box 17	Folder 394	Indiana Theory Review Indexes for v.1-3
Box 17	Folder 395	Intégral Indexes to 1987-2000
Box 17	Folder 396	Journal of Music Theory Indexes for v. 1-17
Box 17	Folder 397	Lewin, David Bibliography of his works
Box 17	Folder 398	Nolan, Catherine Bibliography from master's thesis, Symmetric inversion: a sign of tonality, 1983
Box 17	Folder 399	Perspectives of New Music Indexes to v. 1-15
Box 17	Folder 400	Smith, Charles J. An annotated bibliography of the work of Heinrich Schenker
Box 17	Folder 401	Smith, Charles J. Gioseffo Zarlino: a beginner's guide and bibliography
Box 17	Folder 402	Van den Toorn, Pieter C. Stravinsky

IX. Annotated books.

Box 17

Folder 403

Forte