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Anton Wolf Collection: Preliminary Inventory
Prepared by Peter J. Carlin
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1.
Title: Symphony No. 1 ("Symphony in One Movement")
- 2 scores (29 cm.), photocopies of copyist's MS
- 2 scores (32 cm.), photocopies of copyist's MS
- 2 scores (36 cm.), photocopies of copyist's MS
- Score, photocopy of copyist's MS, used at 1st perf.
- Score, same as above, with AW's corrections
- Piano score, pencil
- 2 scores, ink
- Folder of sketches
2.
Title: Symphony No. 2 ("Symphony in 3 Movements")
- 1st mvt: 3 working short scores, pencil
- 1st mvt: fair full score, pencil
- 1st mvt: working short score, pencil
- 2nd mvt: working full score, pencil
- 2nd mvt: working short score, pencil
- 3rd mvt: short score, pencil
- 3rd mvt: working short score, pencil
- Misc. sketches, pencil
3.
Title: Symphony No. 3
- 2 scores (22 cm., obl.), photocopies of copyist's MS
- 2 scores (28 cm., obl.), photocopies of copyist's MS
- Score, photocopy of holograph
- Orchestration sketches, pencil
- Piano sketches, pencil
- Misc. "unused" sketches, pencil
4.
Title: The Parable of the Pearl
- 2 scores (28 cm.), photocopies of copyist's MS
- 2 scores (36 cm.), photocopies of copyist's MS
- Score, "original" version, pencil
- Score, "revised 1967," pencil
- 2 scores, photocopies of holograph?
- Two-piano version, partial; pencil
- 2 folders of sketches, various formats, pencil
5.
Title: Minoan Suite
- 2 scores (22 cm., obl.), photocopies of copyist's MS
- 2 scores (28 cm., obl.), photocopies of copyist's MS
- "Old sketches," pencil
- "2d Original sketches," pencil
- Piano sketches
- Full score, pencil
- Photocopy of above, with corrections
6.
Title: Enigma in the Desert
- 2 scores (43 cm.), photocopies of holograph
- Masters for above = photocopies of "Revised" score "Revised" score, pencil
- "Original" score, pencil
- Photocopies of "Revised" score; corrections and notes to copyist of parts
- Working short score, pencil
- Sketches and short score sketches, pencil
- Original and photocopy of article "Enigma in the Desert" from Arizona Days And Ways Magazine, May 21, 1961, p. 28
7.
Title: Suite for String Orchestra
- 2 scores (28 cm.), photocopies of copyist's MS
- 2 scores (36 cm.), photocopies of copyist's MS
- Score (33 cm.), Ozalid copy of copyist's MS
- Piano score, pencil, 1st mvt. ("Air") only
- Score, ink, with corrections in red & blue pencil
- Parts, Ozalid copies and photocopies of copyist's MS
- Parts, photocopies of Ozalid, w/ performers' markings
- Score, pencil
- Parts (one each), ink
- Sketches, pencil
7.
Title: Air & Fugue (arr. band) (from Suite for Str. Orch.)
- Parts, pencil
- Scores, one for each mvt., pencil
- Sketches, pencil
- Score fragments, ink on vellum (Str. Orch. version?)
8.
Title: Héloise and Abelard
- 2 scores (28 cm.), computer-generated
- Score, working copy, pencil
- Sketches, pencil
9.
Title: Prelude Symphonique
- 2 scores (36 cm.), photocopies of below
- Score, ink
- Score, pencil, incomplete?
- Working short score, pencil
10.
Title: Three Pieces for Solo Flute and Orchestra
- 2 scores (36 cm.), photocopies of copyist's MS
- Score, Ozalid copy of copyist's MS
- Parts, winds & brass MS, strings Ozalid copies
- Score, ink, corrections pencilled and stapled in
- Score, "1st draft," pencil
- Score, pencil, incomplete
- Orchestration sketches, ink and pencil
- Sketches, pencil
11.
Title: Concertino Pastorale for Violin and Orchestra
- 3 folders of orchestration sketches in short score, (incomplete) pencil
- 3 "Notenhefts" of composition and orchestration sketches
- Folder of sketches, pencil (including pencil draft of score)
- Note on package: "McDowell Colony - July 1952."
12.
Title: Prologue from the Ballet "The Magic Music Stand"
- 2 scores (36 cm.), photocopies of copyist's MS
- Score, Ozalid copy of copyist's MS
- Score, vellum masters for above
- Parts, vellum masters of copyist's MS
- Folder of orchestration sketches
- Folder of sketches and notes
13.
Title: Waltz in C ("Illusions")
- 2 copies of version for piano ("1st verse only), photocopies of copyist's MS
- 2 sets of scores and parts (28 cm.), photocopies of copyist's MS
- 2 scores (36 cm.), photocopies of copyist's MS
- Score, ink
- Parts, strings, mylar transparencies and negatives (paper)
- Parts, complete set, ink and photocopies
- "Dance band arrangement," short score and parts, ink
- Orchestration sketches, short score and full score; also miscellaneous counterpoint exercises
- Sketches for band arrangement, short score, pencil
- Folder of parts for "Jazz Band" arrangement, pencil
- Note on package: "Iceland 1942-43."
14
Title: Marching Song (Daybreak)
- 2 scores (36 cm.), photocopies of ink score
- Score, ink, for band
- Score, pencil, for band
- Score, pencil, for orchestra
- Piano score, ink
- Piano score, pencil and photocopies
- Folder of sketches
15.
Title: Why I Live on a Mountain
- 2 sets of scores and parts, photocopies of copyist's MS
- 4 sets used for performance
- Material from premier performance
- 5 blue ditto copies of score and box of ditto masters
- Score, fair copy, pencil
- Score, pencil, incomplete for version (original concept?) for orchestra and voice (singing)
- Folder of notes and sketches for the percussion parts
- Folder of sketchbooks, sketches and orchestration sketches
16.
Title: Turquoise in My Ear
- 2 sets of scores and parts, photocopies of materials updated "re-inked" by one of his students
- Materials from 1989 performance
- Parts (several photocopies of score in black folders)
- Pencil score and 2 photocopies
- Sketchbook and folder of sketches, pencil
17.
Title: String Quartet No. 1
- 2 sets of scores and parts (28 cm.), photocopies of holograph (score) and copyist's MS (parts)
- Score, Ozalid copy of holograph
- Parts, ink, with performance markings
- 2 photocopies of score, with corrections
- Photocopy of score, on green paper, with some corrections
- Score, working copy, pencil, with corrections
18.
Title: Divertimento for Woodwind Quintet
- 2 sets of scores and parts, typeset on computer
- Score, Ozalid copy of holograph
- Score, vellum masters for above
- Parts, vellum masters
- Envelope of sketches, notebooks and orchestration sketches for each movement, all pencil
19.
Title: Flute Quartet
- 2 sets of scores and parts, photocopies of copyist's MS
- Set of parts, photocopies of holograph
- Folder containing orchestration score for Oracle at Delphi, pencil; parts for each movement, pencil
- Folder of originals and photocopies of sketches and orchestration sketches
- Score and parts (pencil) to a "Flute Quartet," very simple in style, one movement only. (Perhaps an early work or the work of one of his students; thematic material does not match)
20A.
Title: Four Studies for Flute Alone
- 2 scores (28 cm.), computer typeset
- Working drafts and sketches, pencil and ink; vellum masters and Ozalid copies
20B.
Title: Three Pastels for Solo Flute
- 2 scores (28 cm.), computer typeset
- Vellum masters and Ozalid copies
- Fair copies, pencil and ink
- Sketches
21.
Title: Sonata for Violoncello and Piano
- 2 sets of scores and parts (28 cm.), computer typeset
- 2 scores (36 cm.), photocopy of holograph from vellum masters
- Score, Ozalid copy
- Vellum masters, score and parts
- Plastic top-loader containing sketchbooks
- Folder of sketches and working drafts
- Folder of Ozalid copies of score and parts, with corrections
- "No. 21d Hommage to the Sonata" = 2nd movement
21B.
Title: Sonatine for Cello and Piano
- 4 sets of scores & parts (28 cm.), photocopies of holograph (scores) and copyist's MS (parts)
- Photocopy of score (28 cm.)
- Score, pencil
- Score and parts, ink
- Folder of sketches, pencil
22.
Title: Sonatine for Piano
- 2 scores, computer generated
- 2 scores, photocopies of Ozalid copies of holograph
- 3 scores, Ozalid copies of holograph, 2 with performance markings
- Vellum masters for above
- Score, pencil, working copy
- Folder of sketchbooks, sketches and drafts
Envelope 23A.
Title: Alleluia
- 2 computer-generated scores.
- Folder of sketchbooks, sketches, a fair copy of final version and a fair copy of a variant version, all pencil.
- Folder of drafts and a fair copy of a version for 3 voices, all pencil. Has different Latin text.
Envelope 23B
[lacking/missing]
Envelope 23C.
Title: Madrigal for Summer's End
- 2 computer-generated scores.
- Folder of sketchbooks, drafts, and fair copy.
24.
Title: Early Songs
2 piano/vocal scores, computer typeset
3 scores, Ozalid copies of holograph
Plastic top-loader containing sketchbooks
Misc. sketches, drafts, fair copies (pencil and ink), And vellum masters
25
[missing/lacking]
26.
Title: Passacaglia for Woodwind Quintet
- 2 scores (28 cm.), photocopies of holograph
- Score, pencil, master for above
- Parts, 2 sets, photocopies of copyist's MS
27
[missing/lacking]
28.
Title: Siciliano: Trio for Flute, Oboe & Clarinet
- 2 scores (28 cm.), photocopies of holograph
- Score and parts, ball-point ink
- Score, working draft, pencil
29.
Title: Swamp Water ("The Mudhole Near Shambley")
- Small sketch book (16 cm.), mainly pencil
unnumbered
Title: Why I Live on a Mountain [1 of 2]
unnumbered
Title: Why I Live on a Mountain [2 of 2]
unnumbered: Four items in one box
- Title: Early Compositions (1930-34)
- Title: Early Works
- Title: Testament (song, orchestrated by Wolf)
- 2 piano/vocal scores, computer typeset
- 2 scores (36 cm.), photocopies of copyist's MS
- 20 parts, photocopies of copyist's MS
- Title: Programs Misc.
Programs from concerts and events where Wolf's compositions were performed
unnumbered: Two items in one box.
- Title: Folder labelled "Manuscripts"
Written on the package: "This appears to be music for an auto show production or some other special show. Muriel mentioned that some of the manuscript was the copywork-writing of Anton. Otto Kruger was one of Anton's flute teachers. He also be
side (sic) being a member of the Detroit Symphony & theater musician was personel (sic) manager for the orchestra at radio station WWJ-Detroit for a few years. A. Steger. While in Detroit, Anton also studied flute with John Wummer."
- Title: Miscellaneous Pieces
- Title: Andante for wind ensemble
- 2 sets of scores and parts (28 cm.), photocopies of copyist's MS
- Title: Impressions: Chant for brass ensemble
- 2 sets of scores and parts (28 cm.), photocopies of copyist's MS Score and parts, ink
- Title: Jig for wind ensemble
- 2 sets of scores and parts (28 cm.), photocopies of copyist's MS Score, ink
- Title: The Summer is Ours for jazz band and voice
- 2 sets of scores and parts (28 cm.), photocopies of copyist's MS Score (pencil, Obl.) and parts (ink)
- Miscellaneous sketches
Operas/Stage Works
Box A1
Title: François Villon
- Envelope B8 Scene 1. Early sketches and drafts.
- Envelope B9 Scene 2. Early sketches and drafts.
- Envelope B10 Scenes 3, 4, 5. Early sketches and drafts.
Box A2
Title: François Villon
- Envelope B11 Scene 6. Sketches.
- Envelope B12 Scenes 1 & 2. Orchestration sketches and drafts.
- Envelope B13 Scene 3. Orchestration sketches and drafts.
Box A3
Title: François Villon
- Envelope B14 Scene 4. Orchestration sketches and drafts.
- Envelope B15 Scene 5. Orchestration sketches and drafts.
- Envelope B16 Scene 6. Orchestration sketches and drafts.
Box B1
Title: François Villon
- Orchestral score, 2 v. (37 cm.), photocopy of holograph. Both have name "Wincenc" written on cover and have performance markings.
Box B2
Title: François Villon
- Envelope B1 Orchestral score, scenes 1 & 2, holograph, pencil, unbound.
- Envelope B2 Orchestral score, scenes 3 & 4, holograph, pencil, unbound.
- Envelope B3 Orchestral score, scenes 5 & 6, holograph, pencil, unbound.
Box B3
Title: François Villon
- Envelope B4 Orchestral score, 1 v. (36 cm.), photocopy of holograph. Note on envelope: "Score used by Anton, I think. A. Steger, Oct. 96."
- Envelopes B5 & B6 missing/lacking
Box B4
Title: François Villon
- Envelope B7 Piano/vocal score, holograph, pencil, unbound. Each scene is in a separate file folder.
- Envelope B8 (sic) Piano/vocal score, photocopy of holograph, with corrections and notes by AW. In 3-ring binder.
Box B5
Title: François Villon
- Envelope B9 (sic) "Production Score," i.e. piano/vocal score with corrections and notes by AW. In 3-ring binder.
Box B9
Title: François Villon
- 2 piano/vocal scores (28 cm.), photocopies of holograph.
Box C1
Title: François Villon
- 2 orchestral scores (28 cm.), photocopies of holograph.
Box C2
Title: François Villon
- 2 orchestral scores (36 cm.), photocopies of holograph.
Box D1
Title: Madame Jumel
- Orchestral score, 2 v. (36 cm.), photocopy of holograph, with corrections and performance markings.
Box D2
Title: Madame Jumel
- Piano/vocal score, holograph, pencil. Each scene in a separate file folder.
Box D3
Title: Madame Jumel
- Envelope A1 Prologue. Orchestral score, pencil, holograph.
- Envelope A2 Act I, scene i. Orchestral score, pencil, holograph.
- Envelope A3 Act I, scene ii. Orchestral score, pencil, holograph.
- Envelope A4 Act I, scene iii. Orchestral score, pencil, holograph.
- Envelope A5 Act I, scene iv. Orchestral score, pencil, holograph.
Box D4
Title: Madame Jumel
- Envelope A6 Act I, scene v. Orchestral score, pencil, holograph.
- Envelope A7 Act II, scenes ia-ib & ii. Orchestral score, pencil,
holograph.
- Envelope A8 Act II, scene iii. Orchestral score, pencil, holograph.
- Envelope A9 Act II, scene iv. Orchestral score, pencil, holograph.
- Envelope A10 Act II, scene va. Orchestral score, pencil, holograph.
- Envelope A11 Act II, scene vb. Orchestral score, pencil, holograph.
- Envelope A12 Epilogue. Orchestral score, pencil, holograph.
Box E1
Title: Madame Jumel
- 2 piano/vocal scores (28 cm.), photocopies of holograph.
Box E2
Title: Madame Jumel
- 2 orchestral scores (28 cm.), photocopies of holograph.
Box E3
Title: Madame Jumel
- 2 orchestral scores (2 v.; 36 cm.), photocopies of holograph.
Box F1
Title: Madame Jumel
- 2 piano/vocal scores, photocopies of holograph, each with corrections and in 3-ring binders.
- Orchestral parts for "Scene Change Music," holograph, pencil
Box F2
Title:Madame Jumel
- Prologue (drafts): 3 envelopes of sketches
Box F3
Title: Madame Jumel
- Act I, scene 1 (drafts): 3 envelopes of sketches
Box F4
Title: Madame Jumel
- Act I, scene 2 (drafts): 2 envelopes of sketches
Box F5
Title: Madame Jumel
- Act I, scene 3 (drafts): 2 envelopes of sketches
- Act I, scene 4 (drafts): 2 envelopes of sketches
Box F6
Title: Madame Jumel
- Act I, scene 5 (drafts): 2 envelopes of sketches
- Act II, scene 1 (drafts): 2 envelopes of sketches
- Act II, scene 2 (drafts): 1 envelope of sketches
Box F7
Title: Madame Jumel
- Act II, scene 3 (drafts): 2 envelopes of sketches
- Act II, scene 4 (drafts): 2 envelopes of sketches
- Act II, scene 5 (drafts): 2 envelopes of skecthes
Box F8
Title: Madame Jumel
- Epilogue (drafts): 2 envelopes of sketches
- "Misc. worked sketches" (1 envelope)
- "Misc. orchestral notes & ideas" (1 envelope)
Box F9
Title: Madame Jumel
- Libretto to Madame Jumel: 2 copies.
Materials related to researching Madame Jumel.
Box F10
- Duncan, William Cary. The Amazing Madame Jumel. Photocopy.
- Miscellaneous articles: 2 envelopes.
- Two containers of photographic slides of topics related to Madame Jumel, including the Jumel Mansion. Yellow box: 35 slides ; Red box: 31 slides.
Box F11
- Faulkner, Leonard. The Painted Lady. Photocopy.
- Shelton, William Henry. The Jumel Mansion. Photocopy.
- Vandenberg, Arthur H. "Alexander Hamilton: The Greatest Horatio Alger Story in the History of America" in Life, July 7, 1947, 65-69.
Box F12 (open carton)
- 32 hanging folders and 1 notebook of drafts and various versions of the libretto to Madame Jumel.
